￥Step inside the legendary Capitol Studios for our second series on mixing in Dolby Atmos! This instalment is hosted by Steve Genewick, a renowned engineer who began exploring this format in 2017 and pioneered a number of techniques. Alongside Ceri Thomas of Dolby Music, Genewick opens the stereo mix session of ‘White Lightning’ by Staci Griesbach and demonstrates how he transfers the material to a new session for mixing in Atmos. He explains how he changed his Pro Tools stereo mix template for this workflow, and gives you a walkthrough of his routing, inserts, and positioning of tracks using objects and zones. You will learn Steve’s method of adapting mono effects plug-ins for Atmos, his binaural parameter settings, how he manages integrated loudness, and much more!

PART 1
Stereo to Atmos transition, templates, mixing records vs. film, object bed, zones, sample rates

PART 2
Routing changes, phantom centre, translation, binaural settings, perceived distance, reverbs

PART 3
Techniques developed, vocal chain, levels, metering, monitoring, mastering, lack of mix buss

PART 4
Using pre-delay with effects, immersive plug-ins, filtering LFE, remixing projects, home setup

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