￥WiN: Team R2R | 100 MB | MAC: Team HEXWARS | 277 MB

 

Harrison Mixbus32C is as relevant today as the first Harrison 32 series consoles were 40 years ago. Harrison consoles are dynamically mature products – products that retain the benefits of long, successful experience while incorporating the best of all the new technology. Mixbus32C is designed in the most operationally ergonomic manner possible.

 

Mixbus was hailed by the industry as a breakthrough for “in the box” mixing by incorporating decades of console building experience into a cost effective mixing platform for today. Mixbus32C takes that concept to the natural next step by using the full resources of today’s technological advancements to precisely emulate not only the operational advantages, but to faithfully emulate the analog performance of the traditional analog console.

 

Operational Advantages

 

Because of the way the Mixbus32C mixer page is laid out, the most commonly used controls are displayed and are accessible at all times using a rich, high contrast, GUI design that gracefully and accurately emulates the original hardware version of the Harrison 32C console. This traditional layout not only looks good but allows the engineer to approach the console as if it were a musical instrument, directly affecting the art of mixing and contributing greatly to the success of any given mix.

 

Analog Performance

 

Harrison has pioneered the use of high performance computer technology over the last 20 years to provide unmatched processing power in the world’s largest mixing environments. By keeping up with these incremental technological steps through the decades, Harrison can now faithfully emulate the beautifully designed analog signal processing designs of the past and incorporate them into a full function “True Analog” mixing console within the digital audio workstation environment.

 

More Equalization

 

Each Mixbus32C channel strip incorporates an exact emulation of the original Harrison 32C parametric four-band sweepable EQ with a separately switchable filter section including second order high-pass and low-pass filters. Every resistor, capacitor, and transistor was modeled. To run this complex DSP on every channel strip was impossible just 5 years ago.

 

More Buses

 

Mixbus32C provides 12 stereo mix buses, each with individual level control, latency compensation, and associated master channel incorporating the highly successful Harrison tape saturation, bus compression, and tone control functionality.

 

Some Mixbus32C Features

 

• Straightforward “knob per function” mixer layout based on Harrison’s renowned 32-series music consoles
• Precision algorithms for EQ, Filter, Compression, Analog Tape Saturation, and Summing
• Precise emulation based on Harrison’s famous 32 series analog console circuit designs
• Fourth-generation Harrison “True Analog Mixing™” processing engine with enhanced compressor/limiter algorithms; built-in sidechain busing, and increased plugin flexibility
• The Mixbus32C engine is internally dithered, ramped, and gain staged so that sound quality is preserved as close to analog as possible
• Unlimited stereo or mono input channels, each with unlimited plugins, sends, and hardware inserts. (limited only by CPU and disc speed)
• Polarity, Input trim, Sweepable 4-band EQ with second order HP and LP filters, Compression, and 12 mix bus sends on every track
• Unlimited MIDI tracks, each with virtual instrument support, unlimited plugins, sends and inserts
• Mixbus32C has an optimized signal flow with 12 stereo mix buses and a master bus, all featuring Tone controls, Compression, Sidechaining, and Analog Tape Saturation simulation
• Stereo Master bus that features Tone controls, Analog Tape Saturation, K-meter, Stereo Correlation Meter, and Limiter
• Automatic plugin delay compensation to support effects such as parallel compression without time misalignment
• Extensive DAW editing features including “Smart Tool”, Ripple Edit, and configurable keybindings for nearly every operation
• Comprehensive “at-a-glance” metering with peak, peak hold, and compressor gain reduction visible on every track and bus
• Industry standard plug-in support: Mixbus32C loads VST plugins on Windows, AudioUnit (AU) plugins on OSX, and LV2 plugins on all platforms
• Industry standard audio I/O support: Mixbus32C uses ASIO/Directsound on Windows, CoreAudio on OSX, and ALSA/JACK on Linux
• Mixbus32C provides professional features such as Loudness Analysis (dBTP+LUFS+LU Range), LTC (SMPTE) generation and sync; video pullup/pulldown
• Persistent undo (undo remains possible after closing and reopening a session)
• Multi-core and 64-bit optimizations provide increased track counts across all OS platforms
• Over 25 ‘MIDI filter’ plug-ins including functions such as transposing, velocity scaling, etc
• Support for video timeline, video window, and audio+video exports
• Includes a brand-new virtual instrument: “SetBfree”, a lovingly modeled Tonewheel Organ by Robin Gareus plus Harrison’s Dyno-Mite envelope-designer plug-in for drums
• Recording operates like a tape machine: punch-in on the fly, and use per-track input monitoring just like a multitrack tape machine
• Extensive export features including multitrack stem export, simultaneous multi-format exports, multiple export ranges, CD track markers, silence trimming, normalization, and command-line arguments to trigger third-party encoders or file-management scripts
• Audio regions are stacked in “layers”, and every region fadein/out is a crossfade to the region(s) beneath it
• Plugin “pin connection management” provides rich editing of signal-flow through each channel’s path, including full support for dual mono, mono-to-stereo, sidechaining, and other advanced flows
• The user interface scales to fit your monitor; larger monitors will get bigger knobs and sharper text
• Refined workflow and graphics, including scaling and support for HiDPI (Retina) displays
• Incredibly cost effective because of our world-wide open source collaborators
• Generic MIDI devices can use “MIDI Learn” to assign MIDI controls directly to on-screen knobs or use MIDI profiles to select many pre-configured device layouts from a pull-down menu
• Mackie control protocol is provided for motorized fader controllers, and the Mackie protocols have been extended to ergonomically control the Mixbus channelstrip EQ, compressor, and 12 mix bus sends. Dedicated support is provided for popular devices like the Presonus Faderport & Faderport8, Mackie MCU, and Behringer X-Touch controllers
• OSC (Open Source Control) protocol supports ethernet-based wireless tablet controllers such as TouchOSC and Lemur for iOS and Android to remote-control Mixbus32C
• Lua Scripting (new in v4!): Use the Lua scripting language to automate tasks such as track creation, renaming tracks, adding plugins, or creating “macro” operations
• VCA Faders (new in v4!): Use VCA faders to control multiple channel faders at once. A fader can be assigned to multiple remote VCA faders, adding another powerful dimension of control and organization to your mixes
• Tempo Ramps and Tempo Maps (new in v4!): Use advanced features to map your live recording’s tempo and structure (no need to record to a click!) – or import a tempo map from MIDI
• General-MIDI synthesizer and 2 multi-output sampled drum instruments help you arrange a song immediately, without any other plugin instruments

 

Analog Console Feel

 

Engineers have