{"id":100971,"date":"2022-03-02T22:35:18","date_gmt":"2022-03-02T14:35:18","guid":{"rendered":"https:\/\/xs.1ozy.com\/100971\/"},"modified":"2022-03-02T22:35:18","modified_gmt":"2022-03-02T14:35:18","slug":"%e6%95%99%e7%a8%8bpunkademic-ultimate-ableton-live-10-complete-parts-4-5-and-6%ef%bc%884-82gb%ef%bc%89","status":"publish","type":"post","link":"https:\/\/xs.1ozy.com\/?p=100971","title":{"rendered":"[\u6559\u7a0b]Punkademic Ultimate Ableton Live 10, COMPLETE Parts 4, 5, and 6\uff084.82Gb\uff09"},"content":{"rendered":"<p><img decoding=\"async\" class=\"aligncenter\" src=\"https:\/\/dd-static.jd.com\/ddimg\/jfs\/t1\/101246\/9\/23017\/28800\/62193d99Ee1339acc\/83a09997278b6f59.webp\" alt=\"1645034168-9f61fb42832a20d\" width=\"650\" \/>\uffe5Welcome to ULTIMATE ABLETON LIVE 10 COMPLETE: PARTS 4, 5, AND 6!<\/strong><\/p>\n<p> &nbsp; <\/p>\n<p>In this course, we will use the real-world experiences of the award-winning instructor and university music business professor Dr. Jason Allen. But don\u2019t be worried \u2013 Dr. Allen is best known around campus for keeping things simple, accessible, and useful.<\/p>\n<p> &nbsp; <\/p>\n<p>Dr. Allen is a professional musician, top-rated Udemy instructor, and university professor. In 2017 the Star Tribune featured him as a \u201cMover and a Shaker,\u201d and he is recognized by the Grammy Foundation for his music education classes.<\/p>\n<p> &nbsp; <\/p>\n<p>He is also an ABLETON LIVE CERTIFIED TRAINER.<\/strong><\/p>\n<p> &nbsp; <\/p>\n<p>In this class we are going to focus on using Ableton Live 10, and every aspect of the program. We will focus on how to do everything possible in Ableton Live, and you will finish this course as an expert in Ableton Live 10. Whether you have experience already in music production or not, this is the ultimate class to learn how to use the Ableton Live 10 software for any genre of music.<\/p>\n<p> &nbsp; <\/p>\n<p>ULTIMATE ABLETON LIVE 10 COMPLETE: PARTS 4, 5, AND 6 is three courses in one: It includes Part 4: Sound Design and Samplers, Part 5: Audio and MIDI Effects, and Part 6: DJ Techniques and Controllers. <\/strong><\/p>\n<p> &nbsp; <\/p>\n<p>Also in the class I have a really special surprise. I\u2019ve invited my friend James Patrick to show some of his techniques as well. James is a DJ that has toured the world, and is known internationally for his engaging performances. He is going to be IN this class, and has contributed several exclusive videos for this class.<\/strong><\/p>\n<p> &nbsp; <\/p>\n<p>Topics include:<\/strong><\/p>\n<p> &nbsp; <\/p>\n<p>Synthesis Basics<\/p>\n<p> &nbsp; <\/p>\n<p>Types of Synthesis<\/p>\n<p> &nbsp; <\/p>\n<p>Physical Modeling Synthesis<\/p>\n<p> &nbsp; <\/p>\n<p>Elements of Synthesis<\/p>\n<p> &nbsp; <\/p>\n<p>Live\u2019s Analog Instrument<\/p>\n<p> &nbsp; <\/p>\n<p>Live\u2019s Collision Instrument<\/p>\n<p> &nbsp; <\/p>\n<p>Live\u2019s Electric Instrument<\/p>\n<p> &nbsp; <\/p>\n<p>Live\u2019s Impulse Instrument<\/p>\n<p> &nbsp; <\/p>\n<p>Live\u2019s Tension Instrument<\/p>\n<p> &nbsp; <\/p>\n<p>Live\u2019s Operator Instrument<\/p>\n<p> &nbsp; <\/p>\n<p>Live\u2019s Simpler Instrument<\/p>\n<p> &nbsp; <\/p>\n<p>Live\u2019s Sampler Instrument<\/p>\n<p> &nbsp; <\/p>\n<p>Multisamples and Zones<\/p>\n<p> &nbsp; <\/p>\n<p>Sampler Orchestras<\/p>\n<p> &nbsp; <\/p>\n<p>Racks!!!!<\/p>\n<p> &nbsp; <\/p>\n<p>Instrument Racks<\/p>\n<p> &nbsp; <\/p>\n<p>Chain Selector<\/p>\n<p> &nbsp; <\/p>\n<p>Macros in Racks<\/p>\n<p> &nbsp; <\/p>\n<p>Drum Racks<\/p>\n<p> &nbsp; <\/p>\n<p>Choke Settings<\/p>\n<p> &nbsp; <\/p>\n<p>The External Instrument<\/p>\n<p> &nbsp; <\/p>\n<p>MIDI Effects<\/p>\n<p> &nbsp; <\/p>\n<p>Arpeggiator<\/p>\n<p> &nbsp; <\/p>\n<p>Chord MIDI Effect<\/p>\n<p> &nbsp; <\/p>\n<p>MIDI Effect Racks<\/p>\n<p> &nbsp; <\/p>\n<p>Note Length MIDI Effect<\/p>\n<p> &nbsp; <\/p>\n<p>Pitch MIDI Effect<\/p>\n<p> &nbsp; <\/p>\n<p>Random MIDI Effect<\/p>\n<p> &nbsp; <\/p>\n<p>Scale MIDI Effect<\/p>\n<p> &nbsp; <\/p>\n<p>Velocity MIDI Effect<\/p>\n<p> &nbsp; <\/p>\n<p>Audio Effects<\/p>\n<p> &nbsp; <\/p>\n<p>The three types of Audio Effects<\/p>\n<p> &nbsp; <\/p>\n<p>ALL Ableton Audio Effects (and how to use them!)<\/p>\n<p> &nbsp; <\/p>\n<p>Simple Delay<\/p>\n<p> &nbsp; <\/p>\n<p>Ping Pong Delay<\/p>\n<p> &nbsp; <\/p>\n<p>Filter Delay<\/p>\n<p> &nbsp; <\/p>\n<p>Grain Delay<\/p>\n<p> &nbsp; <\/p>\n<p>Chorus<\/p>\n<p> &nbsp; <\/p>\n<p>Flanger<\/p>\n<p> &nbsp; <\/p>\n<p>Reverb<\/p>\n<p> &nbsp; <\/p>\n<p>Beat Repeat<\/p>\n<p> &nbsp; <\/p>\n<p>Looper<\/p>\n<p> &nbsp; <\/p>\n<p>EQ Three<\/p>\n<p> &nbsp; <\/p>\n<p>EQ Eight<\/p>\n<p> &nbsp; <\/p>\n<p>Auto Filter<\/p>\n<p> &nbsp; <\/p>\n<p>Amp<\/p>\n<p> &nbsp; <\/p>\n<p>Cabinet<\/p>\n<p> &nbsp; <\/p>\n<p>Corpus<\/p>\n<p> &nbsp; <\/p>\n<p>Dynamic Tube<\/p>\n<p> &nbsp; <\/p>\n<p>Erosion<\/p>\n<p> &nbsp; <\/p>\n<p>Frequency Shifter<\/p>\n<p> &nbsp; <\/p>\n<p>Overdrive<\/p>\n<p> &nbsp; <\/p>\n<p>Phaser<\/p>\n<p> &nbsp; <\/p>\n<p>Redux<\/p>\n<p> &nbsp; <\/p>\n<p>Resonator<\/p>\n<p> &nbsp; <\/p>\n<p>Saturator<\/p>\n<p> &nbsp; <\/p>\n<p>Vocoder<\/p>\n<p> &nbsp; <\/p>\n<p>Compressor<\/p>\n<p> &nbsp; <\/p>\n<p>Glue Compressor<\/p>\n<p> &nbsp; <\/p>\n<p>Limiter<\/p>\n<p> &nbsp; <\/p>\n<p>Multiband Dynamics<\/p>\n<p> &nbsp; <\/p>\n<p>Gate<\/p>\n<p> &nbsp; <\/p>\n<p>Auto Pan<\/p>\n<p> &nbsp; <\/p>\n<p>External Audio Effect<\/p>\n<p> &nbsp; <\/p>\n<p>Vinyl Distortion<\/p>\n<p> &nbsp; <\/p>\n<p>Spectrum<\/p>\n<p> &nbsp; <\/p>\n<p>Tuner<\/p>\n<p> &nbsp; <\/p>\n<p>Utility<\/p>\n<p> &nbsp; <\/p>\n<p>Audio Effect Racks<\/p>\n<p> &nbsp; <\/p>\n<p>Using Effect Rack Presets<\/p>\n<p> &nbsp; <\/p>\n<p>Building our own Effect Racks<\/p>\n<p> &nbsp; <\/p>\n<p>Parallel Processing<\/p>\n<p> &nbsp; <\/p>\n<p>Fade To Grey<\/p>\n<p> &nbsp; <\/p>\n<p>Performance Racks<\/p>\n<p> &nbsp; <\/p>\n<p>Controllers and Controllerism<\/p>\n<p> &nbsp; <\/p>\n<p>MIDI Mapping<\/p>\n<p> &nbsp; <\/p>\n<p>The Ableton Push Interface<\/p>\n<p> &nbsp; <\/p>\n<p>The APC40 Interface<\/p>\n<p> &nbsp; <\/p>\n<p>Follow Actions<\/p>\n<p> &nbsp; <\/p>\n<p>Legato Mode<\/p>\n<p> &nbsp; <\/p>\n<p>Launch Modes<\/p>\n<p> &nbsp; <\/p>\n<p>Launching Clips in Performance<\/p>\n<p> &nbsp; <\/p>\n<p>Effects Setup for Performance<\/p>\n<p> &nbsp; <\/p>\n<p>The Crossfader<\/p>\n<p> &nbsp; <\/p>\n<p>Mapping Controllers for Performance<\/p>\n<p> &nbsp; <\/p>\n<p>\u2026 And much more!!!<\/p>\n<p> &nbsp; <\/p>\n<p>I will be making 6 (six!) complete classes in order to bring you the most comprehensive manual on Ableton Live production techniques ever created. Each class has Sets, sessions, and experiments for you to try on your own and follow along with.<\/p>\n<p> &nbsp; <\/p>\n<p>And of course, once you sign up any part, you automatically get huge discounts to all the upcoming parts (the next 5!) of this class.<\/p>\n<p> &nbsp; <\/p>\n<p>You will not have another opportunity to learn Ableton Live in a more comprehensive way that this. Start here.<\/p>\n<p> &nbsp; <\/p>\n<p>The course is a roadmap to MAKING STUNNING TRACKS with Ableton Live 10.<\/p>\n<p> &nbsp; <\/p>\n<p>All the tools you need to produce great tracks are included in this course and the entire course is based on real-life experiences \u2013 not just academic theory.<\/p>\n<p> &nbsp; <\/p>\n<p>Please click the \u201cTake This Course\u201d button so you can start making better tracks today.<\/p>\n<p> &nbsp; <\/p>\n<p>What you\u2019ll learn<\/strong><\/p>\n<p> &nbsp; <\/p>\n<p>At the end of this course, students will be able to produce music with Ableton Live and be on their way to being a professional musician.<br \/>Students will understand the two views in Live.<br \/>The fundamentals to recording in Live<br \/>All possible ways of editing in Live<br \/>The 10 fundamentals to audio recording<br \/>The 6 fundamentals to MIDI recording<br \/>The essential tools for Warping<br \/>Editing and Producing in Arrangement view<br \/>Session View editing and Producing<br \/>Making Beats<br \/>The 7 (and more!) methods to making beats in Ableton Live<br \/>Producing with synths in Ableton Live<br \/>The 12 Ableton Live Instruments<br \/>The new Wavetable Synth<br \/>The Ableton Live Samples<br \/>The 3 uses of Racks<br \/>The 8 MIDI Effects<br \/>The 10 Time-based audio effects<br \/>The 17 frequency-based audio effects<br \/>The 7 Dynamic-based audio effects<br \/>Working with Controllers and DJ Tools<br \/>Performing with Ableton Live<\/p>\n<p> &nbsp; <\/p>\n<p><span style=\"\"color:#FF8C00;\"\"\n<\/p>\n","protected":false},"excerpt":{"rendered":"<p>\uffe5Welcome to ULTIMATE ABLETON LIVE 10 COMPLETE: PARTS 4, [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[55,58,23],"tags":[],"topic":[],"class_list":["post-100971","post","type-post","status-publish","format-standard","hentry","category-hip-hop","category-trap","category-yzcy"],"acf":[],"_links":{"self":[{"href":"https:\/\/xs.1ozy.com\/index.php?rest_route=\/wp\/v2\/posts\/100971","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/xs.1ozy.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/xs.1ozy.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/xs.1ozy.com\/index.php?rest_route=\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/xs.1ozy.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=100971"}],"version-history":[{"count":0,"href":"https:\/\/xs.1ozy.com\/index.php?rest_route=\/wp\/v2\/posts\/100971\/revisions"}],"wp:attachment":[{"href":"https:\/\/xs.1ozy.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=100971"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/xs.1ozy.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=100971"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/xs.1ozy.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=100971"},{"taxonomy":"topic","embeddable":true,"href":"https:\/\/xs.1ozy.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftopic&post=100971"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}