{"id":104935,"date":"2022-03-03T01:03:43","date_gmt":"2022-03-02T17:03:43","guid":{"rendered":"https:\/\/xs.1ozy.com\/104935\/"},"modified":"2022-03-03T01:03:43","modified_gmt":"2022-03-02T17:03:43","slug":"%e6%95%99%e7%a8%8bmixwiththemasters-workshop-6-alan-meyerson%ef%bc%88185mb%ef%bc%89","status":"publish","type":"post","link":"https:\/\/xs.1ozy.com\/?p=104935","title":{"rendered":"[\u6559\u7a0b]MixWithTheMasters Workshop #6 Alan Meyerson\uff08185Mb\uff09"},"content":{"rendered":"<p><img decoding=\"async\" class=\"aligncenter\" src=\"https:\/\/dd-static.jd.com\/ddimg\/jfs\/t1\/164570\/40\/28831\/12660\/6218fc96E4aa69d3e\/1680924c0486a175.webp\" alt=\"1645040067-ff470b92998334d\" width=\"650\" \/>\uffe5Join the eminent score mixer Alan Meyerson at Remote Control Productions for a workshop video series featuring the impactful video game soundtrack of \u2018Gears of War\u2019, composed by Ramin Djawadi. In these five independent parts, Meyerson discusses and demonstrates some of his favourite mixing techniques for a variety of common tasks \u2013 enhancing percussion, adding size to low end, spreading and softening a mono signal, stereo field manipulation, and controlling frequencies with multiband dynamics processing. He reveals his preferred plug-in choices, suitable alternatives, parameter settings used, techniques of audio delay, duplication, and pitch-shifting, the \u201820% rule\u2019, his mix buss chain, and more very useful nuggets of information!<\/p>\n<p> &nbsp; <\/p>\n<p>PERCUSSION<br \/>00:08:19<br \/>Raw audio, track insert and auxiliary processing, parallel compression, alternative plug-in choices, the 20% rule<\/p>\n<p> &nbsp; <\/p>\n<p>LOW END<br \/>00:07:29<br \/>Adding size and depth to low end, subharmonic synthesis, track duplication, pitch-shifting, blending<\/p>\n<p> &nbsp; <\/p>\n<p>WIDENING A MONO SIGNAL<br \/>00:05:55<br \/>Using sample-based delay, parallel panning, &amp; reverb plug-ins to widen a mono dulcimer track<\/p>\n<p> &nbsp; <\/p>\n<p>STEREO ENHANCEMENT<br \/>00:04:04<br \/>The Haas effect, sacrificing mono compatibility, using one-sided delay to alter perceived orientation<\/p>\n<p> &nbsp; <\/p>\n<p>MULTIBAND PROCESSING<br \/>00:04:19<br \/>Controlling boxy and harsh frequency bands, mix buss signal chain<\/p>\n<p> &nbsp; <\/p>\n<p><span style=\"\"color:#FF8C00;\"\"\n<\/p>\n","protected":false},"excerpt":{"rendered":"<p>\uffe5Join the eminent score mixer Alan Meyerson at Remote C [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[85,30],"tags":[],"topic":[],"class_list":["post-104935","post","type-post","status-publish","format-standard","hentry","category-spire-","category-yz01"],"acf":[],"_links":{"self":[{"href":"https:\/\/xs.1ozy.com\/index.php?rest_route=\/wp\/v2\/posts\/104935","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/xs.1ozy.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/xs.1ozy.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/xs.1ozy.com\/index.php?rest_route=\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/xs.1ozy.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=104935"}],"version-history":[{"count":0,"href":"https:\/\/xs.1ozy.com\/index.php?rest_route=\/wp\/v2\/posts\/104935\/revisions"}],"wp:attachment":[{"href":"https:\/\/xs.1ozy.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=104935"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/xs.1ozy.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=104935"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/xs.1ozy.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=104935"},{"taxonomy":"topic","embeddable":true,"href":"https:\/\/xs.1ozy.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftopic&post=104935"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}