{"id":107274,"date":"2022-03-03T01:32:27","date_gmt":"2022-03-02T17:32:27","guid":{"rendered":"https:\/\/xs.1ozy.com\/107274\/"},"modified":"2022-03-03T01:32:27","modified_gmt":"2022-03-02T17:32:27","slug":"%e5%8e%8b%e7%bc%a9%e5%99%a8%e6%8f%92%e4%bb%b6unfiltered-audio-zip-v1-0-ce-v1-3-0-win-macosx%ef%bc%8857mb%ef%bc%89","status":"publish","type":"post","link":"https:\/\/xs.1ozy.com\/?p=107274","title":{"rendered":"[\u538b\u7f29\u5668\u63d2\u4ef6]Unfiltered Audio Zip v1.0 CE v1.3.0 [WiN, MacOSX]\uff0857Mb\uff09"},"content":{"rendered":"<p><img decoding=\"async\" class=\"aligncenter\" src=\"https:\/\/dd-static.jd.com\/ddimg\/jfs\/t1\/136170\/19\/23179\/35194\/6218d595Ead8a8d52\/50521cecd4000a55.webp\" alt=\"1645043463-1533c6d71b802e5\" width=\"650\" \/>\uffe5WiN: Team V.R | 8.91 MB | MAC: SPTNDC | 48 MB<\/p>\n<p>Calling Zip a compressor is like calling a Lamborghini a passenger car. It does neither one justice. Zip creates unique effects and solves thorny audio challenges in a flash, leaving traditional compressors in the dust.<\/p>\n<p>Zip can provide both compression and downward expansion, switching between processors with one mouse click. Six Analysis modes \u2013 Amplitude, Quietness, Brightness, Darkness, Noisiness and Tonalness \u2013 spark compression or expansion depending on the signal level, frequency content or noise feeding Zip\u2019s input. On bass guitar tracks, select Darkness mode to compress headroom-eating low notes while giving higher-pitched notes room to breathe. Using Noisiness mode, you can make Zip\u2019s compressor clamp down only on overdriven electric guitar chords while leaving palm mutes on the same track loud and proud. Solving unusual audio challenges is child\u2019s play for Zip.<\/p>\n<p>Four Envelope Styles \u2013 Classic, Goopy, Quick and Extreme \u2013 modify Zip\u2019s attack and release curves, tailoring them to your specific needs. Use Extreme\u2019s lightning-fast response on drum room mics to explode the room\u2019s ambience while simultaneously making the kick and snare sound tighter and punchier. On full mixes, Zip\u2019s Classic style and High Pass filtering in the sidechain will make your mix\u2019s bottom end thunder. Or use Goopy style to add vintage glue and density. Zip has many flavors.<\/p>\n<p>For producing creative effects, Zip includes Unfiltered Audio\u2019s flagship automatable modulation system. Eight different internal modulators, as well as a patch to an external ROLI Lightpad, can be used \u2013 up to six modulators at once \u2013 on most of Zip\u2019s controls, with each modulator routed to as many destinations as you\u2019d like using simple drag-and-drop technique. Using the modulators, you can easily create driving rhythmic effects that pulse in time with your music \u2013 without hassling with complicated external sidechain routing. <a href=\"https:\/\/xs.1ozy.com\/72\"><span class=\"outlinks\" data-link=\"https:\/\/xs.1ozy.com\/72\">Drag the square wave LFO\u2019s virtual cable to the expander\u2019s Threshold control to transform a static synth pad into a dynamic staccato keyboard part synched to your song\u2019s tempo.<\/span><\/a> Animate a lifeless synth track by patching Zip\u2019s sawtooth LFO to the compressor\u2019s Ratio knob, creating a Big Room EDM-style ducking effect that makes the synth swell in sync with the kick drum. Route the 16th-note Step Sequencer to Zip\u2019s output gain to turn the plugin into a punchy Trance gate. Create a classic tremolo effect by patching the sine wave LFO to Zip\u2019s output gain. The creative possibilities are endless.<\/p>\n<p>For the final touch, Zip\u2019s Color control lets you apply warm saturation, bright phase-modulated distortion, mangling bitcrushing or any of four 2-pole filters at the plugin\u2019s output. Dial in a little bit of the vivid Contrast effect to fatten up female vocals and make drums pop. Two of Zip\u2019s 2-pole filters are modulated by Analysis modes; use them in Noisiness mode on a synth track to make note attacks whipsaw its timbre. Patch Zip\u2019s LFOs to the Color knob to create tempo-synched filter sweeps and pulsating distortion on guitar and keyboard tracks. Zip sculpts both dynamics and tone.<\/p>\n<p>Smashing drums, supersizing vocals, and transforming a boring pad into a Trance anthem \u2013 Zip does it all!<\/p>\n<p>\u25ba Features<\/strong><\/p>\n<ul>\n<li>Unique Analysis modes and state-of-the-art modulation system turn Zip\u2019s compressor and expander into tools for creating riveting effects and solving difficult audio challenges<\/li>\n<li>Six Analysis modes \u2013 Amplitude, Quietness, Brightness, Darkness, Noisiness and Tonalness \u2013 make Zip\u2019s processors react more to signal level, frequency content or noise<\/li>\n<li>Four Envelope Styles \u2013 Classic, Goopy, Quick and Extreme \u2013 modify Zip\u2019s attack and release curves, providing a selection of four differently behaving compressor\/expanders in one plugin<\/li>\n<li>Unfiltered Audio\u2019s flagship automatable modulation system provides eight different internal modulators and a patch to an external ROLI Lightpad, all patchable \u2013 up to six modulators at once \u2013 to most of Zip\u2019s controls<\/li>\n<li>Modulators include Sine, Sawtooth\/Triangle and Square LFOs; Input Follower; Macro Control; Sample and Hold Noise; Step Sequencer; ROLI Lightpad; and Gain Reduction<\/li>\n<li>Continuously variable Color control provides post-dynamics processing in seven modes, respectively offering phase-modulated distortion, soft saturation, bitcrushing, and four 2-pole pass filters (two of which feature cutoffs modulated by Zip\u2019s Analysis modes)<\/li>\n<li>Internal and external sidechains are equipped with High Pass and Low Pass filters and an Audition button for hearing the signal the detector acts on<\/li>\n<li>Controls for wet\/dry mix (for parallel compression), lookahead (affecting both sidechains), switchable peak or RMS detection, and automatic makeup gain<\/li>\n<li>Informative real-time display graphically depicts the current threshold, ratio and knee, and shows multi-colored traces for sidechain, output and gain reduction levels<\/li>\n<\/ul>\n<p><span><\/p>\n","protected":false},"excerpt":{"rendered":"<p>\uffe5WiN: Team V.R | 8.91 MB | MAC: SPTNDC | 48 MB Calling  [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[24],"tags":[],"topic":[],"class_list":["post-107274","post","type-post","status-publish","format-standard","hentry","category-xg"],"acf":[],"_links":{"self":[{"href":"https:\/\/xs.1ozy.com\/index.php?rest_route=\/wp\/v2\/posts\/107274","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/xs.1ozy.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/xs.1ozy.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/xs.1ozy.com\/index.php?rest_route=\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/xs.1ozy.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=107274"}],"version-history":[{"count":0,"href":"https:\/\/xs.1ozy.com\/index.php?rest_route=\/wp\/v2\/posts\/107274\/revisions"}],"wp:attachment":[{"href":"https:\/\/xs.1ozy.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=107274"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/xs.1ozy.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=107274"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/xs.1ozy.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=107274"},{"taxonomy":"topic","embeddable":true,"href":"https:\/\/xs.1ozy.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftopic&post=107274"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}