{"id":108143,"date":"2022-03-03T01:43:10","date_gmt":"2022-03-02T17:43:10","guid":{"rendered":"https:\/\/xs.1ozy.com\/108143\/"},"modified":"2022-03-03T01:43:10","modified_gmt":"2022-03-02T17:43:10","slug":"%e9%98%85%e8%af%bbrevisiting-music-theory-basic-principles-2nd-edition%ef%bc%8822mb%ef%bc%89","status":"publish","type":"post","link":"https:\/\/xs.1ozy.com\/?p=108143","title":{"rendered":"[\u9605\u8bfb]Revisiting Music Theory Basic Principles, 2nd Edition\uff0822Mb\uff09"},"content":{"rendered":"<p><img decoding=\"async\" class=\"aligncenter\" src=\"https:\/\/dd-static.jd.com\/ddimg\/jfs\/t1\/107283\/34\/23499\/23160\/6218d107E1ba8ee0b\/720c50053e250ad9.webp\" alt=\"1645044667-e6689da9e4977e8\" width=\"650\" \/>\uffe5Revisiting Music Theory: Basic Principles, Second Edition, surveys the basics of music theory and explains the terms used in harmonic and formal analysis in a clear and concise manner. Students will find Revisiting Music Theory to be an essential resource for review or reference, while instructors of introductory theory courses will find in these pages a solid foundation for cultivating musical thinking. Musicians of all kinds\u2015amateur and professional alike\u2015will find great value in augmenting and informing their knowledge of the art of music theory.<\/p>\n<p> &nbsp; <\/p>\n<p>The text covers the basic principles of music theory, including:<\/strong><\/p>\n<p> &nbsp; <\/p>\n<ul>\n<li>Musical notation<\/li>\n<li>Key signatures and scales<\/li>\n<li>Intervals, chords, and progressions<\/li>\n<li>Melodic and harmonic analysis<\/li>\n<li>Counterpoint and voice leading techniques<\/li>\n<li>Musical forms and structures<\/li>\n<\/ul>\n<p> &nbsp; <\/p>\n<p>This second edition has been revised and reorganized to promote learning. Each section now includes an all-new selection of exercises, allowing readers to practice key skills and improve understanding.<\/p>\n<p> &nbsp; <\/p>\n<p>For students, instructors, and practicing musicians, Revisiting Music Theory offers an indispensable guide to the foundations of musical analysis.<\/p>\n<p> &nbsp; <\/p>\n<p><span style=\"\"color:#FF8C00;\"\"\n<\/p>\n","protected":false},"excerpt":{"rendered":"<p>\uffe5Revisiting Music Theory: Basic Principles, Second Edit [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[22,127],"tags":[],"topic":[],"class_list":["post-108143","post","type-post","status-publish","format-standard","hentry","category-kc","category-127"],"acf":[],"_links":{"self":[{"href":"https:\/\/xs.1ozy.com\/index.php?rest_route=\/wp\/v2\/posts\/108143","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/xs.1ozy.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/xs.1ozy.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/xs.1ozy.com\/index.php?rest_route=\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/xs.1ozy.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=108143"}],"version-history":[{"count":0,"href":"https:\/\/xs.1ozy.com\/index.php?rest_route=\/wp\/v2\/posts\/108143\/revisions"}],"wp:attachment":[{"href":"https:\/\/xs.1ozy.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=108143"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/xs.1ozy.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=108143"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/xs.1ozy.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=108143"},{"taxonomy":"topic","embeddable":true,"href":"https:\/\/xs.1ozy.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftopic&post=108143"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}