{"id":108527,"date":"2022-03-03T01:47:39","date_gmt":"2022-03-02T17:47:39","guid":{"rendered":"https:\/\/xs.1ozy.com\/108527\/"},"modified":"2022-03-03T01:47:39","modified_gmt":"2022-03-02T17:47:39","slug":"%e6%95%99%e7%a8%8baulart-groove-techniques-for-techno-and-tech-house%ef%bc%884-81gb%ef%bc%89","status":"publish","type":"post","link":"https:\/\/xs.1ozy.com\/?p=108527","title":{"rendered":"[\u6559\u7a0b]Aulart Groove Techniques for Techno and Tech-House\uff084.81Gb\uff09"},"content":{"rendered":"<p><img decoding=\"async\" class=\"aligncenter\" src=\"https:\/\/dd-static.jd.com\/ddimg\/jfs\/t1\/123080\/11\/24202\/19828\/6218cb32E1228f202\/eb3c7ecc09be2f4f.webp\" alt=\"1645045222-7693397bb9cc9c9\" width=\"650\" \/>\uffe5Get started in creating Techno and Tech House tracks with the tips and techniques from one of the best producers of labels such as Drumcode, Stereo Productions or Truesoul.<\/p>\n<p> &nbsp; <\/p>\n<p>(8 hours of Masterclass + 4 Ableton Live Projects)<\/p>\n<p> &nbsp; <\/p>\n<p>Learn<\/strong><br \/>All his music production techniques and worfklow tips. Get a deep insight on the creation of drums, beats, and powerful grooves, as well as on the sound design by layers.<\/p>\n<p> &nbsp; <\/p>\n<p>Watch<\/strong><br \/>Have direct access to his production set up and follow his steps when producing from scratch. Analyze up to 5 of his most popular track projects.<\/p>\n<p> &nbsp; <\/p>\n<p>Apply<\/strong><br \/>Get inspired with Oscar L\u2019s downloadable Ableton Live projects with grooves you can reuse for your own songs by substituting the samples and adjusting parameters.<\/p>\n<p> &nbsp; <\/p>\n<p>Instructor<\/strong><br \/>Oscar L is a point of reference in the Techno and Tech-House scene with more than 15 years of international career. His productions, characterized by a very personal sound that combines classic and peculiar influences at the same time, have reached the highest positions of the international sales charts, being played by the most iconic artists of the globe like Richie Hawtin, Adam Beyer, Marco Carola, Nicole Moudaber, Danny Tennaglia or Ilario Alicante to name a few.<\/p>\n<p> &nbsp; <\/p>\n<p>He has signed with the most prestigious record labels of the moment. Drumcode (Adam Beyer\u2019s label), Knee Deep In Sound (Hot Since 82\u2019s label), Stereo Productions (Chus &amp; Ceballos\u2019s label), Truesoul (Adam Beyer\u2019s label), We Are The Brave (Alan Fitzpatrick\u2019s label), 1605 (Umek\u2019s label), among others, are some of the biggest labels where you will find Oscar\u2019s productions.<\/p>\n<p> &nbsp; <\/p>\n<p>22 CHAPTERS<br \/>LENGTH: 8 hours<br \/>4 ABLETON LIVE PROJECTS<br \/>AUDIO SPANISH<br \/>SUBTITLES ENGLISH<\/p>\n<p> &nbsp; <\/p>\n<p>Lessons<br \/>Introduction:<\/strong><br \/>01 \u2013 My Career<br \/>02 \u2013 My Studio Hardware<br \/>03 \u2013 My Software<\/p>\n<p> &nbsp; <\/p>\n<p>Production Techniques:<\/strong><br \/>04 \u2013 Basic 4\/4 elements: Drums and root key<br \/>05 \u2013 Kick: Patterns and tips<br \/>06 \u2013 Snare elements: Patterns and tips<br \/>07 \u2013 Hi-Hats elements: Patterns and tips<br \/>08 \u2013 Toms elements: Patterns and tips<br \/>09 \u2013 Claps elements: Patterns and tips<br \/>10 \u2013 Bass layers<br \/>11 \u2013 Synths layers<br \/>12 \u2013 Effects layers<br \/>13 \u2013 Vocals layers<br \/>14 \u2013 Midi grooves<br \/>15 \u2013 Resampling kick<br \/>16 \u2013 Using delay as a groove technique<\/p>\n<p> &nbsp; <\/p>\n<p>Track Reviews:<\/strong><br \/>17 \u2013 Track review: Unique (Truesoul)<br \/>18 \u2013 Track review: Dark Fate (Drumcode)<br \/>19 \u2013 Track review: Dimension (KNE\u2019DEEP)<br \/>20 \u2013 Track review: Dibiza<br \/>21 \u2013 Track review: Fiezzta<\/p>\n<p> &nbsp; <\/p>\n<p>Mentoring and Conclusions:<\/strong><br \/>22 \u2013 Tips for new producers<\/p>\n<p> &nbsp; <\/p>\n<p>Audio in Spanish, but English subtitles included.<\/p>\n<p> &nbsp; <\/p>\n<p><span style=\"\"color:#FF8C00;\"\"\n<\/p>\n","protected":false},"excerpt":{"rendered":"<p>\uffe5Get started in creating Techno and Tech House tracks w [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[22,128],"tags":[],"topic":[],"class_list":["post-108527","post","type-post","status-publish","format-standard","hentry","category-kc","category-128"],"acf":[],"_links":{"self":[{"href":"https:\/\/xs.1ozy.com\/index.php?rest_route=\/wp\/v2\/posts\/108527","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/xs.1ozy.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/xs.1ozy.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/xs.1ozy.com\/index.php?rest_route=\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/xs.1ozy.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=108527"}],"version-history":[{"count":0,"href":"https:\/\/xs.1ozy.com\/index.php?rest_route=\/wp\/v2\/posts\/108527\/revisions"}],"wp:attachment":[{"href":"https:\/\/xs.1ozy.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=108527"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/xs.1ozy.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=108527"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/xs.1ozy.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=108527"},{"taxonomy":"topic","embeddable":true,"href":"https:\/\/xs.1ozy.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftopic&post=108527"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}