![\"1645045225-2ff4585441bd6a9\"](\"https:\/\/dd-static.jd.com\/ddimg\/jfs\/t1\/207025\/24\/18233\/20578\/6218cb32E26cbef57\/73a00f081e01f84f.webp\")
\uffe5Rosa has an unique was of teaching, She structure the course in a way, it let us figure out things first before giving us answers, not spoon feeding us. No dry boring lesson , I feel I\u2019m being taught by how & why it \u2018works\u2019\u2026 and not traditionally rigid like many other course out there. Thumbs up & keep up the good work.<\/p>\n
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Circle of 5ths Level 2 \u2013 Intermediate to Advanced<\/strong><\/p>\n
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This course takes musicians to apply more advanced music theory into their playing \u2013 Tritones, Tritone Chord Substitutions, Jazzy Chromatic Chord Movement, 36251 Turn Arounds.<\/p>\n
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It is important for all musicians, whether you play guitar, piano, ukulele, violin, harmonica, or any musical instruments to develop an intimate knowledge of the Circle of 5ths. The Circle of 5ths is a visual picture that tells us the relations between keys, scales, chords, chord progressions, tritones, tritone chord substitutions, pentatonic scales, blues scales, 7 modes of music, etc.<\/p>\n
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The Tritone chord substitution is one of the most commonly used chord substitutions in jazz. By using tritone chord substitution, you often get a beautiful chromatic bass line in the song and especially in turn arounds.<\/p>\n
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When it comes to more advanced music theory, students get confused and give up in their struggle to advance in their musicianship.<\/p>\n
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Here\u2019s the secret: Learn to use the Moving Circle of 5ths Dynamically! When you know how to move the circle around to understand Tritones and how the interval is created in the Dominant 7 chords, you will understand why professional musicians do such smooth voicing because they know how to concentrate on the 3rd & 7th tones easily.<\/p>\n
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In this Circle of 5ths Level 2 course, I will show you how to use the Circle to do Tritone Chord substitutions with Dominant 7 Chords and Minor 7 Chords. In this way, you will have many more options in your music compositions other than the normal Diatonic Chord Progression & Secondary Dominants that you learned in Circle of 5ths Level 1 Course.<\/p>\n
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When you do Tritone Chord Substitutions, you begin to learn advance music harmonic sounds, and the importance of doing smooth voicing, chromatic bass line chord movement in turn arounds that audience loves to listen to.<\/p>\n
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In this course, I will also show you when Tritone Chord Substitutions work and when they don\u2019t work. There are some rules you need to follow so that you create beautiful harmonic sounds in your piece of music, whether reharmonizing a song or in the writing of your own songs.<\/p>\n
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You will be doing a lot of assignments so that you learn to find the answer yourself. What you discover sticks with you much more than what you are told. It is easy for me to lay out all the answers and theory for you. What is unique in the course is that I will coach you along to help you think and discover the answers for yourself in a creative way.<\/p>\n
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The following topics will be covered extensively:<\/strong><\/p>\n
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Tritone Chord Substitution
Tritone Wants to Resolve
Tritones in All 12 Dominant 7 Chords
Advanced Harmony: Put in Tritone Chord Substitution
Two Magical Ways to Find the Tritone Chord Substitutions
Tritone Chromatic Movement
Song Application \u2013 Little Brown Jug \u2013 Putting in Tritone Chord Subs
When To Avoid Doing Tritone Chord Substitution
Improvisation on ii7 V7 I
Jazzy Turn Around \u2013 3 6 2 5
Formula for the Jazzy Turn Around 3 6 2 5 in C Key
Turn Around in Eb Key \u2013 Misty
Improvise on the 3625 Turn Around in all 12 Keys
Tritone Chord Substitution to Minor 7 Chords
Minor 7 Chord Substitutions
Golden Rule of Tritone Chord Subs
Applying Golden Rule to 36251 Progression
Apply Tritone Chord Substitutions to E7 A7 D7 G7 C
Only Need One Circle to Find Tritone Chord Substitutions<\/p>\n
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