{"id":108856,"date":"2022-03-03T01:51:32","date_gmt":"2022-03-02T17:51:32","guid":{"rendered":"https:\/\/xs.1ozy.com\/108856\/"},"modified":"2022-03-03T01:51:32","modified_gmt":"2022-03-02T17:51:32","slug":"%e6%95%99%e7%a8%8bproducertech-producers-guide-to-hybrid-3%ef%bc%88933mb%ef%bc%89","status":"publish","type":"post","link":"https:\/\/xs.1ozy.com\/?p=108856","title":{"rendered":"[\u6559\u7a0b]Producertech Producers Guide to Hybrid 3\uff08933Mb\uff09"},"content":{"rendered":"<p><img decoding=\"async\" class=\"aligncenter\" src=\"https:\/\/dd-static.jd.com\/ddimg\/jfs\/t1\/94867\/25\/22910\/23340\/6218c9efE970920c7\/98eba57ced0928c8.webp\" alt=\"1645045717-d13548fe2ea7f4d\" width=\"650\" \/>\uffe5AIR Music Technology\u2019s Hybrid 3 is a hugely powerful virtual synth, with a vast array of features under the hood. As with any instrument, the key to unlocking its potential is an understanding of how to access and make good use of everything it has to offer. This course by Producertech senior tutor Rob Jones teaches exactly that, taking you on a sound design journey through every nook and cranny of the software, to have you editing and creating patches with ease in no time!<\/p>\n<p> &nbsp; <\/p>\n<p>To keep things interesting and prevent tedious walkthroughs, every lesson on Rob\u2019s course is an example of patch design, kicking off right from the offset with a demonstration of how to make a detuned saw preset, with oscillators in their default states and a minimal amount of envelope adjustment. Increasing gradually in complexity, Rob works through many of the main categories of patch, showing the techniques involved with making basses, leads, pads, FX, arps and more.<\/p>\n<p> &nbsp; <\/p>\n<p>Despite the plugin interface\u2019s relatively simple appearance, every area of the instrument has a lot of flexibility, with oscillators providing sync, pulse width modulation and wavetable synthesis with just a few clicks. Dual filtering and saturation also offer a massive amount of sound manipulation right from the main window, with other unique features including a pump LFO and filter FM facility, all of which is explored thoroughly on the course.<\/p>\n<p> &nbsp; <\/p>\n<p>After all of the main areas of the plugin have been sufficiently explained, Rob wraps things up with a series of quick tips, giving some additional 1-2 minute sound design tricks, to help Hybrid users achieve instant results.<\/p>\n<p> &nbsp; <\/p>\n<p>Signing up to the course provides students with well over 2 hours of streamed tutorials, along with 20 presets for the synth, offering both a useful collection of inspiring patches as well as clear and precise instructions on how to make them. Before signing up, check out the sample modules, for examples of the lesson style and content, which will soon make Hybrid your go-to instrument for producing high quality sounds.<\/p>\n<p> &nbsp; <\/p>\n<p>Module 1 \u2013 Sound Design Basics<\/strong><br \/>An introduction to Hybrid 3, showing how to make a simple patch from the default state, by mixing all oscillators and shaping with the amp and filter envelopes.<br \/>Lesson 1 \u2013 Adding and Tuning Oscillators \u2013 04.43<br \/>Lesson 2 \u2013 Amplifier and Filter Envelope \u2013 06.22<\/p>\n<p> &nbsp; <\/p>\n<p>Module 2 \u2013 Pad Design 1<\/strong><br \/>A second simple design example, making a chord pad preset with global unison voicing.<br \/>Lesson 1 \u2013 Creating a Unison Pad \u2013 06.05<br \/>Lesson 2 \u2013 Adding Extra Voices \u2013 04.05<\/p>\n<p> &nbsp; <\/p>\n<p>Module 3 \u2013 Pad Design 2<\/strong><br \/>The pad preset from the previous module is modified by high-pass filtering with inverted envelope modulation.<br \/>Lesson 1 \u2013 Customised Filter Enveloping \u2013 06.27<\/p>\n<p> &nbsp; <\/p>\n<p>Module 4 \u2013 Classic Lead Design<\/strong><br \/>A quick and easy way to make a highly usable lead sound by modulating an oscillator in Saw Sync mode.<br \/>Lesson 1 \u2013 Intro to the Oscillator Modes and Modulation \u2013 05.30<\/p>\n<p> &nbsp; <\/p>\n<p>Module 5 \u2013 Wavetable Synthesis<\/strong><br \/>Using oscillators in Wavetable mode to create an evolving bass preset, which is filtered to create an even bassier and more distorted alternative.<br \/>Lesson 1 \u2013 Setting up Oscillator 1 \u2013 03.52<br \/>Lesson 2 \u2013 Adding Extra Oscillators \u2013 08.23<br \/>Lesson 3 \u2013 Filtering Options \u2013 02.33<\/p>\n<p> &nbsp; <\/p>\n<p>Module 6 \u2013 Parallel Filter Design<\/strong><br \/>How to use parallel filters to create separate layers of frequencies, with stacked filter modulation adding extra movement and interest.<br \/>Lesson 1 \u2013 Setting up the Oscillators \u2013 03.07<br \/>Lesson 2 \u2013 Modulated Band-Pass Filter 1 \u2013 03.12<br \/>Lesson 3 \u2013 Parallel Filter Application \u2013 06.01<\/p>\n<p> &nbsp; <\/p>\n<p>Module 7 \u2013 Creating Percussion<\/strong><br \/>Another example of oscillator modulation, this time to create a classic 808 tom patch.<br \/>Lesson 1 \u2013 Oscillator 1 Transient Strike \u2013 03.42<br \/>Lesson 2 \u2013 Oscillator 2 Tuned Pitch \u2013 05.10<br \/>Lesson 3 \u2013 Osc 2 Pitch Mod and Effects \u2013 03.49<\/p>\n<p> &nbsp; <\/p>\n<p>Module 8 \u2013 Velocity Modulation<\/strong><br \/>How to use the velocity of MIDI notes to change the sound of a patch, as well as showing how the filters can be used to independently process oscillators 1 and 2.<br \/>Lesson 1 \u2013 Osc 2 Setup and Velocity Intro \u2013 04.34<br \/>Lesson 2 \u2013 Att Vel, Dec Vel and Keytrack \u2013 02.52<br \/>Lesson 3 \u2013 Adding Osc 1 and Fine Tuning Velocity Mod \u2013 05.57<br \/>Lesson 4 \u2013 Osc (Split) Filtering \u2013 05.15<\/p>\n<p> &nbsp; <\/p>\n<p>Module 9 \u2013 Step Sequencer<\/strong><br \/>A guide to Hybrid\u2019s Step Sequencer, used to create an arpeggiated patch.<br \/>Lesson 1 \u2013 Sequencing a Pattern \u2013 05.07<br \/>Lesson 2 \u2013 Adding Velocity Variation and Adjusting Length \u2013 03.34<\/p>\n<p> &nbsp; <\/p>\n<p>Module 10 \u2013 Pump LFO and Filter FM<\/strong><br \/>Some tips for using the pump LFO and filter FM features, to create more dynamic and exciting presets.<br \/>Lesson 1 \u2013 Filter FM- 06.46<br \/>Lesson 2 \u2013 Pump LFO \u2013 03.05<\/p>\n<p> &nbsp; <\/p>\n<p>Module 11 \u2013 Insert Effects<\/strong><br \/>A quick lesson to show how insert effects are applied within Hybrid.<br \/>Lesson 1 \u2013 Using Insert Effects \u2013 02.31<\/p>\n<p> &nbsp; <\/p>\n<p>Module 12 \u2013 Multiple Part Preset Design<\/strong><br \/>How to create presets using both parts A and B in Hybrid. Rob demonstrates how to edit factory presets in both parts to create an epic riser FX patch.<br \/>Lesson 1 \u2013 Intro to Part Presets &amp; Part A Setup \u2013 06.07<br \/>Lesson 2 \u2013 Part B Rhythmic Perc \u2013 03.13<br \/>Lesson 3 \u2013 Morph Controls \u2013 03.15<\/p>\n<p> &nbsp; <\/p>\n<p>Module 13 \u2013 Bonus Quick Tips<\/strong><br \/>A series of quick tips for extra sound design inspiration, including additional modulation options, filter sequencing and assigning of parameters to MIDI controllers.<br \/>Lesson 1 \u2013 LFO Drift Tip \u2013 01.30<br \/>Lesson 2 \u2013 Assigning the Mod Wheel \u2013 0.44<br \/>Lesson 3 \u2013 Creating Filter Sequences \u2013 01.52<br \/>Lesson 4 \u2013 Adding Glide \u2013 01.14<br \/>Lesson 5 \u2013 Assiging Morph Control to Aftertouch \u2013 02.31<\/p>\n<p> &nbsp; <\/p>\n<p>Well over 2 hours of streamed tutorials<br \/>32 individual lessons<br \/>20 bonus Hybrid presets<br \/>Access 24\/7\/365<\/p>\n<p> &nbsp; <\/p>\n<p><span style=\"\"color:#FF8C00;\"\"\n<\/p>\n","protected":false},"excerpt":{"rendered":"<p>\uffe5AIR Music Technology\u2019s Hybrid 3 is a hugely powerful v [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[22,128],"tags":[],"topic":[],"class_list":["post-108856","post","type-post","status-publish","format-standard","hentry","category-kc","category-128"],"acf":[],"_links":{"self":[{"href":"https:\/\/xs.1ozy.com\/index.php?rest_route=\/wp\/v2\/posts\/108856","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/xs.1ozy.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/xs.1ozy.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/xs.1ozy.com\/index.php?rest_route=\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/xs.1ozy.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=108856"}],"version-history":[{"count":0,"href":"https:\/\/xs.1ozy.com\/index.php?rest_route=\/wp\/v2\/posts\/108856\/revisions"}],"wp:attachment":[{"href":"https:\/\/xs.1ozy.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=108856"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/xs.1ozy.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=108856"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/xs.1ozy.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=108856"},{"taxonomy":"topic","embeddable":true,"href":"https:\/\/xs.1ozy.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftopic&post=108856"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}