![\"1645045933-195a7d3effd3f79\"](\"https:\/\/dd-static.jd.com\/ddimg\/jfs\/t1\/90517\/5\/22288\/34470\/6218c8f4E0b5755eb\/899e20d16ca4b2e0.webp\")
\uffe5Learn everything you need to know about compression, which can take an OK recording\/mix & make it a great recording\/mix.<\/p>\n\uffe5Learn everything you need to know about compression, which can take an OK recording\/mix & make it a great recording\/mix.<\/p>\n
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Compressors are the most mysterious of all studio processors, and yet they are one of the most important in today\u2019s music production. Whether you\u2019re into recording, mixing, mastering, live sound, broadcast, or podcasts you need to know how to use compressors. In this class you\u2019ll learn everything about using compressors. We\u2019ll take you from basic understanding of compression through the subtle differences between the most popular compressors.<\/p>\n
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Learning these differences and knowing where to apply them can take an OK recording\/mix and make it a great recording\/mix. We\u2019ll teach you a fool proof system to set up any compressor on any instrument \u2013 it\u2019s all about setting up the controls in the correct order, knowing what\u2019s possible and using your ears. We\u2019ll also show you tried and true compressor\/instrument combinations to get genre specific sounds. Because compressors are the most complex and abundant studio dynamics processors, that\u2019s where we\u2019ll spend most of our time. But because there are many ways to control dynamics, you\u2019ll also learn how to use expanders, gates and limiters.<\/p>\n
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In this class you\u2019ll learn\u2026<\/strong><\/p>\n
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Basic compressor controls. Advanced compressor controls. Different types of compressors. What compressors are commonly used for certain instruments. How to setup any compressor on any instrument.<\/p>\n
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What to listen for when setting up a compressor on: Drums (Kick, Snare, Toms, Overheads, Room Mics). Drum Busses. Bass Guitars. Synthesizers. Acoustic Guitars (rhythm and lead). Vocals (lead, backgrounds, harmonies). Voice Overs.<\/p>\n
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Advanced techniques like: Sidechain compression. Serial compression. Parallel compression. Multiband compression. Mix bus compression. Mid-Side (MS) compression. Automating the controls.<\/p>\n
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You\u2019ll also learn how to\u2026<\/strong><\/p>\n
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Use Expanders and Gates on: Live drums to reduce bleed. Drum samples to change their envelope. Bass and electric guitar to get rid of hiss and hum. Vocal tracks to reduce breath noise. Voiceover tracks to reduce room noise and AC hum.<\/p>\n
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Advanced Expander\/Gate techniques like: Sidechaining a synth pad with a percussion loop to add motion. Using gating and compression together in a channel strip. Use envelope modulators like SPL\u2019s Transient, Waves\u2019 TransX and Logic\u2019s Enveloper.<\/p>\n
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Engineer Ian Sutton background: Engineer\/Producer Ian Sutton has worked with hundreds of artists and bands, including +44 (Mark Hoppus & Travis Barker) Fallout Boy, Rob Halford, and Frankie J, just to name a few. Ian will thoroughly walk you through one of his most recent pop rock mixes, revealing all sorts of creative mixing and production techniques he\u2019s acquired throughout years of study and practice.<\/p>\n
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Ian Sutton is a graduate of The Conservatory of Recording Arts and Sciences. He is Certified Pro in Apple\u2019s Logic and Avid\u2019s Pro Tools. Ian has also worked with the likes of +44 (Mark Hoppus & Travis Barker), Fallout Boy, Frankie J, Rob Halford of Judas Priest, T-Pain, Deepak Chopra, Jerry Lewis, Los Tucanes de Tijuana and many more.<\/p>\n
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