{"id":109941,"date":"2022-03-03T02:04:19","date_gmt":"2022-03-02T18:04:19","guid":{"rendered":"https:\/\/xs.1ozy.com\/109941\/"},"modified":"2022-03-03T02:04:19","modified_gmt":"2022-03-02T18:04:19","slug":"%e6%95%99%e7%a8%8b%e9%98%85%e8%af%bbmpc-samples-the-mpc-bible%ef%bc%88170mb%ef%bc%89","status":"publish","type":"post","link":"https:\/\/xs.1ozy.com\/?p=109941","title":{"rendered":"[\u6559\u7a0b\u9605\u8bfb]Mpc-Samples The MPC Bible\uff08170Mb\uff09"},"content":{"rendered":"<p><img decoding=\"async\" class=\"aligncenter\" src=\"https:\/\/dd-static.jd.com\/ddimg\/jfs\/t1\/99123\/8\/22258\/29612\/6218c4bcEc94dd627\/db6307d9697ac436.webp\" alt=\"1645047273-5f188029ada3f00\" width=\"650\" \/>\uffe5For The MPC Live, MPC Live II, MPC X &amp; MPC One<\/p>\n<p> &nbsp; <\/p>\n<p><i>Now fully compatible with the MPC Live II &amp; MPC 2.8!<\/strong><\/i><\/p>\n<p> &nbsp; <\/p>\n<p>Learn how to sample, sequence and produce your own beats and songs in Akai\u2019s standalone touchscreen MPCs; the MPC X, MPC Live, MPC Live II &amp; MPC One!<\/p>\n<p> &nbsp; <\/p>\n<p>The \u2018MPC Bible\u2019 from MPC-Tutor is the complete guide to using the latest MPC firmware 2.8, packed with practical, \u2018hands-on\u2019 beat making projects that teach you everything from core beginner\u2019s concepts all the way up to advanced power-user techniques!<\/p>\n<p> &nbsp; <\/p>\n<p>Build your own multitrack sequences using classic MPC swing, note repeat, 16 levels, the arpeggiator and audio tracks<br \/>Learn how to layer drums and create your own unique sounds with the built in effects, filters and LFOs<br \/>Create melodic leads and rhythms using \u2018standalone\u2019 plugins, hardware synths, iPads or even from your own multisampled keygroup instruments<br \/>Construct your own dynamic drum kits using velocity switching and round robins (\u2018cycle kits\u2019)<br \/>Create your own unique beats with the MPC\u2019s classic chopping functions<br \/>Mix down entire songs with vocals, scratching and effects automation<br \/>Utilise warping, sequenced chops and patched phrase loops<br \/>Build your own \u2018standalone\u2019 versions of your favourite VST plugins<br \/>Make your own advanced MPC \u2018synth\u2019 using single cycle waveforms<\/p>\n<p> &nbsp; <\/p>\n<p>Each tutorial in the course is carefully written in an easy-to-follow, step-by-step style and includes hi-res , all recommended parameter settings and all the files and samples you need to recreate each and every project in your MPC. The focus is on learning how to control the MPC using the touchscreen, Q-links, dials, buttons and pads, be it 100% in \u2018standalone\u2019 mode or connected to your computer in \u2018controller mode\u2019.<\/p>\n<p> &nbsp; <\/p>\n<p>The MPC Bible is currently on its eleventh revision and has been regularly updated to ensure compatibility with the latest MPC 2 firmware releases from Akai, making it the most comprehensive and up-to-date MPC tutorial guide ever made!<\/p>\n<p> &nbsp; <\/p>\n<p>Digital eBook Bundle Now Included! The \u2018MPC Bible\u2019 now includes EPUB and MOBI versions of the book, fully optimised for reading in iOS (iPad &amp; iPhone), all tablets (Android, Windows etc), smartphones and dedicated ebook readers such as Kindle &amp; Kobo \u2013 these versions are in addition to the 790 page PDF book (which is optimised for computer and laptop reading).<\/p>\n<p> &nbsp; <\/p>\n<p>What`s inside<\/strong><\/p>\n<p> &nbsp; <\/p>\n<p>Inside you\u2019ll find 790 pages of hands-on MPC X, MPC One and MPC Live tutorials that teach you the modern \u2018touchscreen\u2019 version of the classic MPC workflow! Below is a complete listing of all tutorials inside the book, all created for MPC Firmware 2.8:<\/p>\n<p> &nbsp; <\/p>\n<p>001 Understanding The MPC Workflow<\/p>\n<p> &nbsp; <\/p>\n<p>The MPC in a Nutshell<br \/>The Basic MPC Structure<br \/>Boot Up Options<br \/>Your First Project \u2013 A Simple Drum Beat<br \/>Setting up an MPC Sequence<br \/>Sequence \u2018Tracks\u2019<br \/>Understanding DRUM programs<br \/>Standalone Vs Controller Mode<br \/>002 Building a Simple <a href=\"\"https:\/\/ttded.com\"\"><span class=\"\"outlinks\"\" data-link=\"\"https:\/\/ttded.com\"\">Drum Kit<\/span><\/a><\/p>\n<p> &nbsp; <\/p>\n<p>DRUM programs &amp; Pads<br \/>Loading &amp; Assigning Sounds<br \/>Navigating The File Browser<br \/>Loading Sounds Into Your Project<br \/>Loading &amp; Assigning Sounds Via the Browser<br \/>Browser Filters<br \/>Saving Your Project<br \/>Project Filters<br \/>Freeing Up System Memory<br \/>Auto Save<br \/>Saving Individual Programs<br \/>Default Project Settings &amp; Project Templates<br \/>Creating a New Project<br \/>003 Recording Your First Beat<\/p>\n<p> &nbsp; <\/p>\n<p>Real Time Recording Configuration<br \/>Metronome Settings<br \/>Recording Your First Take<br \/>004 First Look: Grid Edit Mode<\/p>\n<p> &nbsp; <\/p>\n<p>Understanding the Sequencer Grid<br \/>Basic Sequence Editing<br \/>Overdubbing<br \/>Understanding Sequence Resolution<br \/>Adding New Events Manually<br \/>Transposing Pad Events<br \/>Editing Velocity<br \/>005 Quantising and Swing Essentials<\/p>\n<p> &nbsp; <\/p>\n<p>Applying Swing<br \/>Moving Events Outside of the Quantize Grid<br \/>Adding Live Feel to a Quantised Beat<br \/>Erasing Events<br \/>ERASE in real time<br \/>Recording Hi Hats With Note Repeat<br \/>Correcting Mistakes with UNDO<br \/>Methods For Copying Events<br \/>Double Length<br \/>Copying Bars<br \/>Inserting Blank Bars<br \/>Copying Events In GRID EDIT<br \/>Copying Events Via MAIN<br \/>Splitting Events<br \/>006 Drum Layering<\/p>\n<p> &nbsp; <\/p>\n<p>What is Drum Layering<br \/>Utilising Sample Layers<br \/>Using Q-Links To Change Parameters<br \/>Changing the Pitch of a Drum Layer<br \/>Creating A \u2018Dragging\u2019 Clap Sound<br \/>Creating Stereo Width<br \/>Creating a Deeper, Crunchier Kick<br \/>Shaping Your Sounds with the Amp Envelope<br \/>Adding Vinyl Crackle with Simultaneous Play<br \/>Varying The Vinyl Crackle with Round Robins<br \/>007 <a href=\"\"https:\/\/ttded.com\"\"><span class=\"\"outlinks\"\" data-link=\"\"https:\/\/ttded.com\"\">Drum Kit<\/span><\/a> Essentials<\/p>\n<p> &nbsp; <\/p>\n<p>Using Mute Groups For Open Hats<br \/>Tuning the Whole Kit<br \/>Adding Some Internal Effects<br \/>The Pad Mixer<br \/>Setting Custom Pad Colours<br \/>008 Sampling 101<\/p>\n<p> &nbsp; <\/p>\n<p>Sampling Audio into the MPC<br \/>Sampling your Sound<br \/>Sample Edit Mode<br \/>Waveform Editing<br \/>Edit Points<br \/>Adjusting the Start Point<br \/>Zooming In For Accuracy<br \/>Snap to Zero<br \/>Setting the START Point<br \/>Adjusting the End Point<br \/>The Discard Function<br \/>Normalizing<br \/>Renaming an Edited File<br \/>009 Recording a Bass Line With 16 LEVELS<\/p>\n<p> &nbsp; <\/p>\n<p>Setting Up The Bass Sample<br \/>Changing the Pitch of your Sample<br \/>Recording a Bass Line with 16 LEVELS<br \/>Configuring Your Sequence<br \/>Editing 16 Levels Sequence Data<br \/>LIST EDIT Mode<br \/>Inserting Events in LIST EDIT<br \/>Editing Note Events In LIST EDIT<br \/>Moving Events In LIST EDIT<br \/>LIST EDIT vs GRID EDIT<br \/>010 Introduction to Keygroup Programs<\/p>\n<p> &nbsp; <\/p>\n<p>Creating Keygroup Programs<br \/>Using Multisamples in a Keygroup program<br \/>Fundamentals of \u2018key ranges\u2019<br \/>Sourcing &amp; Configuring Your Samples<br \/>Setting Up Your First Keygroup<br \/>Adding Keygroups<br \/>Applying ADSR<br \/>011 Creating Instrument Melodies &amp; Chords<\/p>\n<p> &nbsp; <\/p>\n<p>MIDI Instruments<br \/>Using Standalone Plugin Instruments<br \/>Finding the Key of Our Beat<br \/>Recording The Rhodes Track<br \/>Chord Progressions<br \/>Tweaking Your Preset<br \/>Saving Your Custom Patch<br \/>Adding a Synth Lead Line With TubeSynth<br \/>Using the Arpeggiator To Generate Lead Patterns<br \/>Rhythmic Arpeggios<br \/>Arpeggiator Patterns<br \/>Generating Random Notes<br \/>Using Pitch Quantise<br \/>Using Humanize For a More Natural Feel<br \/>Pad Perform \u2018NOTES\u2019<br \/>012 First Look: Audio Tracks<\/p>\n<p> &nbsp; <\/p>\n<p>Setting Up an Audio Track<br \/>Converting Any MIDI Track to an Audio Track<br \/>Editing Audio Tracks<br \/>Splitting Audio Tracks<br \/>Moving Regions<br \/>013 Using The MPC Mixer<\/p>\n<p> &nbsp; <\/p>\n<p>MPC Mixing Options: An Overview<br \/>Track View Mode<br \/>Adjusting Levels in Track View<br \/>The CHANNEL MIXER<br \/>The Program Mixer Channel<br \/>The MASTERS Channel<br \/>Adjusting the EQ of a Mix<br \/>Using an EQ Preset<br \/>Using The RETURNS<br \/>014 Working with Loops<\/p>\n<p> &nbsp; <\/p>\n<p>How Do Loops Work<br \/>Setting Loop Tempo<br \/>Using Loops in a Sequence<br \/>Re-Tuning The Loop<br \/>Time Stretching a Loop<br \/>Using Loops in a DRUM program<br \/>Using the Timestretched Loop<br \/>Looping Instrument Samples<br \/>How to Find a Good Sustain Loop Region<br \/>Sustain Looping Workflow<br \/>Sustain Looping Acoustic Samples<br \/>Fixing Clicks &amp; Glitches with XFADE<br \/>015 Chopping Drum Breaks Part 1<\/p>\n<p> &nbsp; <\/p>\n<p>Basic Chopping Using the Extract Function<br \/>Using the Dedicated CHOP Mode<br \/>Identifying\u2019Problem\u2019 Regions<br \/>Fixing the Regions \u2013 Speed Chopping Workflow<br \/>Shared Edit Points<br \/>Exporting Your Regions<br \/>016 Chopping Drums Part 2<\/p>\n<p> &nbsp; <\/p>\n<p>Chopping Down to Individual Hits<br \/>Fixing Clicks &amp; Pops<br \/>Exporting Individual Hits<br \/>Real time<\/p>\n","protected":false},"excerpt":{"rendered":"<p>\uffe5For The MPC Live, MPC Live II, MPC X &amp; MPC One &#038;nb [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[58,23],"tags":[],"topic":[],"class_list":["post-109941","post","type-post","status-publish","format-standard","hentry","category-trap","category-yzcy"],"acf":[],"_links":{"self":[{"href":"https:\/\/xs.1ozy.com\/index.php?rest_route=\/wp\/v2\/posts\/109941","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/xs.1ozy.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/xs.1ozy.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/xs.1ozy.com\/index.php?rest_route=\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/xs.1ozy.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=109941"}],"version-history":[{"count":0,"href":"https:\/\/xs.1ozy.com\/index.php?rest_route=\/wp\/v2\/posts\/109941\/revisions"}],"wp:attachment":[{"href":"https:\/\/xs.1ozy.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=109941"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/xs.1ozy.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=109941"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/xs.1ozy.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=109941"},{"taxonomy":"topic","embeddable":true,"href":"https:\/\/xs.1ozy.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftopic&post=109941"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}