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\uffe5Now it\u2019s time for you to learn the fundamentals of making your playing sound more full, phat, and flavorful. In Urban and Contemporary Worship Play by Ear Volume 2 you will learn the secrets behind alternate voicings, substitutions, advanced progressions, grace notes and most importantly, a ton of passing tones. All of these tools and concepts are the hidden secret tricks that differentiate one musician from another.<\/p>\n
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You ever see a musician seem to play the same chords you play, but for some reason his playing sounds more full Or have you ever heard a musician back up a singer and he was able to play all kinds of embellishments and chord changes that sound really phat Well, that is because that musician built a vocabulary of chords in which to pull from. Your problem is not that you cannot play, it\u2019s that you need more chords in your vocabulary. That\u2019s what Volume 2 is all about! This DVD will build your vocabulary of phat chords, progressions, and passing tones in order to help you sound more professional and more phat. As a special treat, we will begin to introduce you to the tritone as well. Once you have the vocabulary, you will be able to pull from a plethora of nice chord changes and special nuances that will change the way you play instantly.<\/p>\n
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Module Details<\/strong><\/p>\n
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1. Introduction <\/strong>
Provides an introduction to the course structure and content.<\/p>\n
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2. Introducing Techniques <\/strong>
Teaches a crash course in piano playing techniques, including arpeggiation, touch and feel, source and destination and how to create melodies with progressions using notes from the scale.<\/p>\n
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3. Grace Notes <\/strong>
Covers different grace notes that can be used over chords, to provide additional melodic interest.<\/p>\n
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4. Left-Hand Stuff <\/strong>
Shows some new techniques for the left hand, such as expanding the bass note into arpeggiated sequences, taking the chord into the left hand, and playing stretched intervals.<\/p>\n
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5. Magic 7ths and 9ths <\/strong>
Teaches the concept of adding the 7th and 9th degree to major and minor chords.<\/p>\n
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6. Classic Walk <\/strong>
Shows the classic walk technique, where the left and right hands step or \u201cwalk\u201d together to create newly transposed intervals through different chord progressions.<\/p>\n
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7. I Chord <\/strong>
Follows on from the 1 chord lesson on the first course by showing some different options for chords that can be played over the root note of the scale.<\/p>\n
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8. Before the I Chord <\/strong>
Gives a demonstration of passing tones and some other techniques and jazzier chords that can happen before the 1 chord.<\/p>\n
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9. II Chord <\/strong>
Shows some jazzier ways to rock the chords played over the second degree of the scale.<\/p>\n
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10. Before the II Chord<\/strong>
Teaches some different options for chords that can sound directly before the II chord.<\/p>\n
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11. III Chord <\/strong>
Expands on the chord options from the first urban worship course by looking at some jazzier chords that can be played over the third degree of the scale.<\/p>\n
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12. IV Chord <\/strong>
Even more options for using the fourth note of the scale in the bass.<\/p>\n
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13. V Chord <\/strong>
Shows a bluesy gospel technique for playing over the fifth bass note.<\/p>\n
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14. VI Chord <\/strong>
Teaches some nice ways of embellishing the chords that sound over the sixth note in the scale.<\/p>\n
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15. VII Chord <\/strong>
Shows some new techniques for playing over the seventh note in the bass, such as use of ditones.<\/p>\n
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16. Flatted 7th Chord <\/strong>
Demonstrates some different uses of the flattened seventh in classic gospel progressions.<\/p>\n
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17. Flatted 6th Chord <\/strong>
Teaches how the flatted 6th chord fits in various progressions and some different ways of playing it.<\/p>\n
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18. Relative Minor <\/strong>
Expands on the relative minor scale, introduced in Urban Worship 1, showing how it can be integrated into different progressions.<\/p>\n
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19. Circle of 5th <\/strong>
Demonstrates a whole host of different applications of the classic circle of fifths chord progression.<\/p>\n
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20. Conclusion <\/strong>
Shows how all of the techniques from the course can be put into practice, playing different examples of chord progressions.<\/p>\n
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21. Bonus 1 \u2013 Ditone Passing <\/strong>
Explains how to use the ditone whilst passing through a progression towards a major or minor 9 chord.<\/p>\n
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22. Bonus 2 \u2013 Passing Tone II <\/strong>
Teaches the tritone and shows how it can be used in a progression.<\/p>\n
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23. Bonus 3 \u2013 Ditones <\/strong>
A live lesson focussing again on the importance of ditones in gospel music.<\/p>\n
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24. Bonus 4 \u2013 Tritones <\/strong>
A live lesson focussing again on the importance of tritones in gospel music.<\/p>\n
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