{"id":111944,"date":"2022-03-03T02:29:43","date_gmt":"2022-03-02T18:29:43","guid":{"rendered":"https:\/\/xs.1ozy.com\/111944\/"},"modified":"2022-03-03T02:29:43","modified_gmt":"2022-03-02T18:29:43","slug":"%e6%95%99%e7%a8%8bmixwiththemasters-tchad-blake-mixing-template-1%ef%bc%88284mb%ef%bc%89","status":"publish","type":"post","link":"https:\/\/xs.1ozy.com\/?p=111944","title":{"rendered":"[\u6559\u7a0b]MixWithTheMasters Tchad Blake Mixing Template #1\uff08284Mb\uff09"},"content":{"rendered":"<p><img decoding=\"async\" class=\"aligncenter\" src=\"https:\/\/dd-static.jd.com\/ddimg\/jfs\/t1\/114017\/22\/20694\/21830\/6218b815Ed73d8c55\/ed1fc826b3b56e20.webp\" alt=\"1645050339-85f45b7ee574ebb\" width=\"650\" \/>\uffe5Join us for a detailed walkthrough of Tchad Blake\u2019s ITB mix template! Hosted at Studios La Fabrique, this series gives a revelatory look into how one of history\u2019s most innovative engineers sets up his multi-track sessions for mixing. Using a Pro Tools session without audio, we focus purely on Blake\u2019s track layout, routing, and signal chains. He discusses fundamental differences of achieving desired results from hardware vs. plug-ins, digital gain structure, and overall loudness, then shows all of his inserts and their parameters used on channels for drums, samples, percussion, bass, guitar, strings, and the mix buss. He also explains the roles of his extensive number of effects tracks, unveiling his creative plug-in combinations used for delay, spatial enhancement, reverb, modulation, tape saturation, and cassette emulation.<\/p>\n<p> &nbsp; <\/p>\n<p>INSTRUMENTS &amp; VOCALS<\/strong><br \/>Colour coding, sample triggering, processing drums, percussion, bass, guitar, strings, vocals<\/p>\n<p> &nbsp; <\/p>\n<p>MIX BUSS<\/strong><br \/>Tape emulation, EQ, modulation, compression, multiband dynamics, excitement, limiting<\/p>\n<p> &nbsp; <\/p>\n<p>GAIN STRUCTURE<\/strong><br \/>Input levels on hardware vs. plug-ins, mix buss gain, competitive loudness for clients, key commands<\/p>\n<p> &nbsp; <\/p>\n<p>EFFECTS<\/strong><br \/>Signal chains for delay, spatial enhancement, reverb, modulation, tape &amp; cassette emulation<\/p>\n<p> &nbsp; <\/p>\n<p><span style=\"\"color:#FF8C00;\"\"\n<\/p>\n","protected":false},"excerpt":{"rendered":"<p>\uffe5Join us for a detailed walkthrough of Tchad Blake\u2019s IT [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[55,23],"tags":[],"topic":[],"class_list":["post-111944","post","type-post","status-publish","format-standard","hentry","category-hip-hop","category-yzcy"],"acf":[],"_links":{"self":[{"href":"https:\/\/xs.1ozy.com\/index.php?rest_route=\/wp\/v2\/posts\/111944","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/xs.1ozy.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/xs.1ozy.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/xs.1ozy.com\/index.php?rest_route=\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/xs.1ozy.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=111944"}],"version-history":[{"count":0,"href":"https:\/\/xs.1ozy.com\/index.php?rest_route=\/wp\/v2\/posts\/111944\/revisions"}],"wp:attachment":[{"href":"https:\/\/xs.1ozy.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=111944"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/xs.1ozy.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=111944"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/xs.1ozy.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=111944"},{"taxonomy":"topic","embeddable":true,"href":"https:\/\/xs.1ozy.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftopic&post=111944"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}