{"id":112932,"date":"2022-03-03T02:41:42","date_gmt":"2022-03-02T18:41:42","guid":{"rendered":"https:\/\/xs.1ozy.com\/112932\/"},"modified":"2022-03-03T02:41:42","modified_gmt":"2022-03-02T18:41:42","slug":"%e6%95%99%e7%a8%8bmixwiththemasters-steve-albini-tracking-drums-3%ef%bc%881-74gb%ef%bc%89","status":"publish","type":"post","link":"https:\/\/xs.1ozy.com\/?p=112932","title":{"rendered":"[\u6559\u7a0b]MixWithTheMasters STEVE ALBINI Tracking Drums #3\uff081.74Gb\uff09"},"content":{"rendered":"<p><img decoding=\"async\" class=\"aligncenter\" src=\"https:\/\/dd-static.jd.com\/ddimg\/jfs\/t1\/217209\/19\/13448\/23456\/6218b508E37b2aef4\/7c942a0f5b3ff56a.webp\" alt=\"1645051891-09cef83d5bbf815\" width=\"650\" \/>\uffe5Join us at Studios La Fabrique for a comprehensive tutorial on drum recording techniques! Hosted by the legendary rock engineer Steve Albini, this video series dives into great detail on tracking a drum kit in fully analog fashion with a Neve 88R console and Studer A800 MKIII tape machine. Albini takes you through his microphone preferences and positioning for bass drum, snare, toms, overheads, stereo drum kit, and room ambience. He gives concise reasoning for the types of microphone used and their placement, while suggesting suitable alternatives. Furthermore, he reveals his clever processing techniques to reduce bleed, enhance natural reverb, control dynamics, optimise phase relationships, and more. He demonstrates the use of his techniques by recording a live drummer, and draws diagrams on a white board to clearly impart his extensive knowledge!<\/p>\n<p> &nbsp; <\/p>\n<p>PART 1<\/strong><br \/>Bass drum \u2013 resonant &amp; beater side, attack &amp; sustain, mic preferences, phase, signal ducking<\/p>\n<p> &nbsp; <\/p>\n<p>PART 2<\/strong><br \/>Snare \u2013 top &amp; bottom side, condenser vs. dynamic mics, separation, positioning, expansion<\/p>\n<p> &nbsp; <\/p>\n<p>PART 3<\/strong><br \/>Toms \u2013 perspective, mic pairs, level blending, summing, polarity, mic preferences<\/p>\n<p> &nbsp; <\/p>\n<p>PART 4<\/strong><br \/>Overheads &amp; Stereo Room \u2013 cymbal capture, high end detail, peak limiting, Blumlein<\/p>\n<p> &nbsp; <\/p>\n<p>PART 5<\/strong><br \/>Ambient Pair \u2013 distance, bandwidth, elevation, Haas effect, boundary principle, delay<\/p>\n<p> &nbsp; <\/p>\n<p>PART 6<\/strong><br \/>Internal phase relationships, absolute &amp; microphone polarity, amplifier stages<\/p>\n<p> &nbsp; <\/p>\n<p>PART 7<\/strong><br \/>Signal flow to console &amp; tape, VU &amp; peak metering, processing, calibration, recording<\/p>\n<p> &nbsp; <\/p>\n<p>PART 8<\/strong><br \/>Compressor circuitry, parameters, preferred settings, limiting, dual mono vs. stereo<\/p>\n<p> &nbsp; <\/p>\n<p>PART 9<\/strong><br \/>Room ambience, studio design, reflections, acoustic treatment, symmetry, material<\/p>\n<p> &nbsp; <\/p>\n<p>PART 10<\/strong><br \/>Demonstration of simplified recording setup using only three microphones<\/p>\n<p> &nbsp; <\/p>\n<p>PART 11<\/strong><br \/>Diagrams of ambient mic positioning with regards to boundary principle &amp; Haas effect<\/p>\n<p> &nbsp; <\/p>\n<p><span style=\"\"color:#FF8C00;\"\"\n<\/p>\n","protected":false},"excerpt":{"rendered":"<p>\uffe5Join us at Studios La Fabrique for a comprehensive tut [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[55,23],"tags":[],"topic":[],"class_list":["post-112932","post","type-post","status-publish","format-standard","hentry","category-hip-hop","category-yzcy"],"acf":[],"_links":{"self":[{"href":"https:\/\/xs.1ozy.com\/index.php?rest_route=\/wp\/v2\/posts\/112932","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/xs.1ozy.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/xs.1ozy.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/xs.1ozy.com\/index.php?rest_route=\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/xs.1ozy.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=112932"}],"version-history":[{"count":0,"href":"https:\/\/xs.1ozy.com\/index.php?rest_route=\/wp\/v2\/posts\/112932\/revisions"}],"wp:attachment":[{"href":"https:\/\/xs.1ozy.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=112932"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/xs.1ozy.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=112932"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/xs.1ozy.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=112932"},{"taxonomy":"topic","embeddable":true,"href":"https:\/\/xs.1ozy.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftopic&post=112932"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}