{"id":113389,"date":"2022-03-03T08:30:46","date_gmt":"2022-03-03T00:30:46","guid":{"rendered":"https:\/\/xs.1ozy.com\/113389\/"},"modified":"2022-03-03T08:30:46","modified_gmt":"2022-03-03T00:30:46","slug":"%e6%95%99%e7%a8%8bproducertech-creative-sampling-techniques%ef%bc%881gb%ef%bc%89","status":"publish","type":"post","link":"https:\/\/xs.1ozy.com\/?p=113389","title":{"rendered":"[\u6559\u7a0b]Producertech Creative Sampling Techniques\uff081Gb\uff09"},"content":{"rendered":"<p><img decoding=\"async\" class=\"aligncenter\" src=\"https:\/\/dd-static.jd.com\/ddimg\/jfs\/t1\/124883\/4\/22903\/35984\/6218b411E417185af\/b239cab394914aa8.webp\" alt=\"1645086120-266e5c5c4ae22e3\" width=\"650\" \/>\uffe5Following on from his beginner\u2019s guide \u2018The Art of Sampling\u2019, which covers all of the fundamentals of how to sample, \u2018Creative Sampling Techniques\u2019 sees certified trainer Rob Jones applying different sampling methodology in original ways to produce all of the musical parts in a Glitch Electronica track within Ableton Live. Whilst the 2 courses work together well as a sequence, producers with sampling experience already may prefer to dive straight in with this set of tutorials, offering more advanced inspiration and tips to develop their workflow.<\/p>\n<p> &nbsp; <\/p>\n<p>Starting proceedings with a kick and snare groove, powerful drums are constructed using various layering techniques, with unusual foley incorporated to add unique textures to an otherwise simplistic break. To this, Rob adds undulating bass, created from a single sample, shaped and modulated in differing ways to show how many possibilities can arise from a basic oneshot. Similarly, a vocal is taken in several directions, with one featuring tempo-locked stuttering whilst another employs more drastic time-stretching envelopes.<\/p>\n<p> &nbsp; <\/p>\n<p>Multiple velocity-modulation assignments are then used to create a melodic groove from a complex orchestral sample, whilst other acoustic and synthesised samples are woven together to make pulsing pads and syncopated, arpeggiated leads. After switching to the arrangement area to start laying out parts, Rob introduces two additional samples, showing how to convert one to MIDI for stacking up other samples on top, and how to transform and resample another, for creating more experimental vocal phrases to sing along to the groove.<\/p>\n<p> &nbsp; <\/p>\n<p>Included with the 2 hours of streamed tutorials are the Ableton Live project from the course and a bonus 100MB pack of samples, allowing students to more closely inspect the track and try out techniques with a new collection of sounds. Before signing up, check out the free sample module from the course and listen to the arrangement on Producertech\u2019s SoundCloud page.<\/p>\n<p> &nbsp; <\/p>\n<p>Module 1 \u2013 Drums<\/strong><br \/>Multi-layering techniques are combined with re-pitching, filtering and dynamics shaping to fuse numerous samples together into a simple alternating kick and snare.<br \/>Lesson 1 \u2013 Kick \u2013 7.19<br \/>Lesson 2 \u2013 Snare \u2013 6.34<\/p>\n<p> &nbsp; <\/p>\n<p>Module 2 \u2013 Foley Tops<\/strong><br \/>Foley loops are employed to create more unique sounding rhythmic tops, the first using Live\u2019s slice to MIDI function and the second Simpler\u2019s Slicing mode.<br \/>Lesson 1 \u2013 Mids Rack \u2013 2.52<br \/>Lesson 2 \u2013 Highs Sliced \u2013 5.31<\/p>\n<p> &nbsp; <\/p>\n<p>Module 3 \u2013 Bass Variations<\/strong><br \/>A bass sample is edited in numerous ways and then arranged to create several evolving basslines to go with the drums groove.<br \/>Lesson 1 \u2013 Creating Bass Variations \u2013 6.23<br \/>Lesson 2 \u2013 Editing the Groove \u2013 6.39<br \/>Lesson 3 \u2013 Laying Down the Bass \u2013 4.42<\/p>\n<p> &nbsp; <\/p>\n<p>Module 4 \u2013 Vocal Textures<\/strong><br \/>A spoken word vocal sample is distorted using enveloping to create a gnarly vocal phrase that punctuates varies points throughout the groove.<br \/>Lesson 1 \u2013 Vocal Selection and Looping \u2013 3.43<br \/>Lesson 2 \u2013 Pitch Envelope and Sequencing \u2013 3.54<\/p>\n<p> &nbsp; <\/p>\n<p>Module 5 \u2013 Melodic Groove<\/strong><br \/>An evolving orchestral sample is used to form a choppy, harmonically-shifting melodic line, using a combination of velocity modulation and filter enveloping techniques.<br \/>Lesson 1 \u2013 Velocity Modulation and Filtering \u2013 6.22<br \/>Lesson 2 \u2013 Tuning and Re-sequencing \u2013 6.38<\/p>\n<p> &nbsp; <\/p>\n<p>Module 6 \u2013 Background Pads<\/strong><br \/>Two layered, melodic samples form the basis of an undulating pad line, modulated with an LFO, which pulses gently underneath the beats.<br \/>09.58<\/p>\n<p> &nbsp; <\/p>\n<p>Module 7 \u2013 Dotted Lead<\/strong><br \/>Three samples are found using Loopmasters\u2019 Loopcloud, which are then stacked up and sequenced into a dotted phrase, to inject some interesting cross rhythms and consistent harmonies into the groove.<br \/>Lesson 1 \u2013 Browsing and Sequencing \u2013 5.55<br \/>Lesson 2 \u2013 Additional Layering &amp; Processing \u2013 4.59<\/p>\n<p> &nbsp; <\/p>\n<p>Module 8 \u2013 New Harmonies<\/strong><br \/>A 4-bar strings chords progression sample is imported in to add some extra harmonies and take the track in a new direction. It is converted into MIDI and then used to sequence additional sampled layers, to fill out the original sample.<br \/>Lesson 1 \u2013 Summary of Edits and Sample Intro \u2013 3.23<br \/>Lesson 2 \u2013 Converting Sample to MIDI \u2013 4.47<br \/>Lesson 3 \u2013 Adding Extra Layers \u2013 5.31<\/p>\n<p> &nbsp; <\/p>\n<p>Module 9 \u2013 Glitchy Vocal Chops<\/strong><br \/>A vocal sample is processed with effects, resampled and sliced, then recorded and resequenced to form a unique melodic lead in the arrangement.<br \/>Lesson 1 \u2013 Resampling and Slicing \u2013 5.27<br \/>Lesson 2 \u2013 Resequencing \u2013 4.33<br \/>Lesson 3 \u2013 Filtering \u2013 2.46<\/p>\n<p> &nbsp; <\/p>\n<p><span style=\"\"color:#FF8C00;\"\"\n<\/p>\n","protected":false},"excerpt":{"rendered":"<p>\uffe5Following on from his beginner\u2019s guide \u2018The Art of Sam [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[54,23],"tags":[],"topic":[],"class_list":["post-113389","post","type-post","status-publish","format-standard","hentry","category-future-house","category-yzcy"],"acf":[],"_links":{"self":[{"href":"https:\/\/xs.1ozy.com\/index.php?rest_route=\/wp\/v2\/posts\/113389","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/xs.1ozy.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/xs.1ozy.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/xs.1ozy.com\/index.php?rest_route=\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/xs.1ozy.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=113389"}],"version-history":[{"count":0,"href":"https:\/\/xs.1ozy.com\/index.php?rest_route=\/wp\/v2\/posts\/113389\/revisions"}],"wp:attachment":[{"href":"https:\/\/xs.1ozy.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=113389"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/xs.1ozy.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=113389"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/xs.1ozy.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=113389"},{"taxonomy":"topic","embeddable":true,"href":"https:\/\/xs.1ozy.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftopic&post=113389"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}