{"id":113813,"date":"2022-03-03T08:41:29","date_gmt":"2022-03-03T00:41:29","guid":{"rendered":"https:\/\/xs.1ozy.com\/113813\/"},"modified":"2022-03-03T08:41:29","modified_gmt":"2022-03-03T00:41:29","slug":"%e9%98%85%e8%af%bbchurch-music-through-the-lens-of-performance%ef%bc%885mb%ef%bc%89","status":"publish","type":"post","link":"https:\/\/xs.1ozy.com\/?p=113813","title":{"rendered":"[\u9605\u8bfb]Church Music Through the Lens of Performance\uff085Mb\uff09"},"content":{"rendered":"<p><img decoding=\"async\" class=\"aligncenter\" src=\"https:\/\/dd-static.jd.com\/ddimg\/jfs\/t1\/222273\/3\/11487\/21134\/6218b328E080f38de\/7905157e9f6cfa6d.webp\" alt=\"1645086952-25941f6e017727c\" width=\"650\" \/>\uffe5English | ISBN: 0367530651 | 2021 | 210 pages | PDF | 4 MB<\/p>\n<p> &nbsp; <\/p>\n<p>This book is an investigation into church music through the lens of performance theory, both as a discipline and as a theoretical framework. Scholars who address religious music making in general, and Christian church music in particular, use \u201cperformance\u201d in a variety of ways, creating confusion around the term. A systematized performance vocabulary for the study of church music can support interdisciplinary investigations of Christian congregational music making in today\u2019s complex, interconnected world.<\/p>\n<p> &nbsp; <\/p>\n<p>From the perspective of performance theory, all those involved in church musicking are performing, be it from platform or pew. The book employs a hybrid methodology that combines ethnographic research and theory from ritual studies, ethnomusicology, theology, and church music scholarship to establish performance studies as a possible \u201cnext step\u201d in church music studies. It demonstrates the feasibility of studying church music as performance by analyzing ethnographic case studies using a developmental framework based on the concepts of ritual, embodiment, and play\/change.<\/p>\n<p> &nbsp; <\/p>\n<p>This book offers a fresh perspective on Christian congregational music making. It will, therefore, be a key reference work for scholars working in Congregational Music Studies, Ethnomusicology, Ritual Studies and Performance Studies, as well as practitioners interested in examining their own church music practices.<\/p>\n<p> &nbsp; <\/p>\n<p><span style=\"\"color:#FF8C00;\"\"\n<\/p>\n","protected":false},"excerpt":{"rendered":"<p>\uffe5English | ISBN: 0367530651 | 2021 | 210 pages | PDF |  [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[61,23],"tags":[],"topic":[],"class_list":["post-113813","post","type-post","status-publish","format-standard","hentry","category-electronic","category-yzcy"],"acf":[],"_links":{"self":[{"href":"https:\/\/xs.1ozy.com\/index.php?rest_route=\/wp\/v2\/posts\/113813","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/xs.1ozy.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/xs.1ozy.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/xs.1ozy.com\/index.php?rest_route=\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/xs.1ozy.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=113813"}],"version-history":[{"count":0,"href":"https:\/\/xs.1ozy.com\/index.php?rest_route=\/wp\/v2\/posts\/113813\/revisions"}],"wp:attachment":[{"href":"https:\/\/xs.1ozy.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=113813"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/xs.1ozy.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=113813"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/xs.1ozy.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=113813"},{"taxonomy":"topic","embeddable":true,"href":"https:\/\/xs.1ozy.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftopic&post=113813"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}