{"id":114617,"date":"2022-03-03T09:02:22","date_gmt":"2022-03-03T01:02:22","guid":{"rendered":"https:\/\/xs.1ozy.com\/114617\/"},"modified":"2022-03-13T07:04:22","modified_gmt":"2022-03-12T23:04:22","slug":"fm8%e9%a2%84%e7%bd%ae%e5%bd%b1%e8%a7%86%e7%94%b5%e5%ad%90the-unfinished-fm8-akheron%ef%bc%881-5mb%ef%bc%89","status":"publish","type":"post","link":"https:\/\/xs.1ozy.com\/?p=114617","title":{"rendered":"[FM8\u9884\u7f6e\u5f71\u89c6\u7535\u5b50]The Unfinished FM8 Akheron\uff081.5Mb\uff09"},"content":{"rendered":"<p><img decoding=\"async\" class=\"aligncenter\" src=\"https:\/\/dd-static.jd.com\/ddimg\/jfs\/t1\/160447\/29\/28999\/36140\/6217b5c1E2c7b9cf2\/a651ba54b10878f4.webp\" alt=\"1645088479-1fcda3baf8e3cc9\" width=\"650\" \/>\uffe5Aimed at atmospheric film scoring and deep electronica, FM8 Akheron features crisp, metallic leads; powerful, rattling basslines; evocative, crystalline pads; eerie, atonal landscapes; penetrating, dynamic sequences; and huge, noisy basses.<\/p>\n<p>&nbsp;<\/p>\n<p>FM synthesis is often seen as convoluted and unwieldy. And it is. However, in producing FM8 Akheron I have realized it is also beautiful and expansive \u2013 and hopefully this new soundset provides sonic territory not yet explored with previous The Unfinished releases.<\/p>\n<p>&nbsp;<\/p>\n<p>FM8 Akheron provides a wide sonic palette; from dark shadows to incandescent light. There is a haunting fragility and also a brutal strength. It is equally at home in the blood-curdling terror of a horror soundtrack as it is in the luminescent joy of an ambient project.<\/p>\n<p>&nbsp;<\/p>\n<p>FM8 Akheron contains sounds in both NFM8 and KSD format. NFM8 is the most up-to-date version of FM8 and utilizes all its most recent upgrades. Whereas KSD format is from an older version of FM8, but is also usable in NI Kore.<\/p>\n<p>&nbsp;<\/p>\n<p>150 patches for NI FM8 in .nfm8 and .ksd format.<\/p>\n<p>&nbsp;<\/p>\n<ul>\n<li>17 Basses<\/li>\n<li>19 Basslines<\/li>\n<li>5 Drums<\/li>\n<li>2 Guitars<\/li>\n<li>14 Leads<\/li>\n<li>5 Mallets<\/li>\n<li>29 Pads<\/li>\n<li>10 Percussion Loops<\/li>\n<li>17 Sequences<\/li>\n<li>6 Sfx<\/li>\n<li>28 Soundscapes<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>\uffe5Aimed at atmospheric film scoring and deep electronica [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[79,23],"tags":[],"topic":[],"class_list":["post-114617","post","type-post","status-publish","format-standard","hentry","category-cinematic","category-yzcy"],"acf":[],"_links":{"self":[{"href":"https:\/\/xs.1ozy.com\/index.php?rest_route=\/wp\/v2\/posts\/114617","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/xs.1ozy.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/xs.1ozy.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/xs.1ozy.com\/index.php?rest_route=\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/xs.1ozy.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=114617"}],"version-history":[{"count":1,"href":"https:\/\/xs.1ozy.com\/index.php?rest_route=\/wp\/v2\/posts\/114617\/revisions"}],"predecessor-version":[{"id":117718,"href":"https:\/\/xs.1ozy.com\/index.php?rest_route=\/wp\/v2\/posts\/114617\/revisions\/117718"}],"wp:attachment":[{"href":"https:\/\/xs.1ozy.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=114617"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/xs.1ozy.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=114617"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/xs.1ozy.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=114617"},{"taxonomy":"topic","embeddable":true,"href":"https:\/\/xs.1ozy.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftopic&post=114617"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}