{"id":114667,"date":"2022-03-03T09:03:26","date_gmt":"2022-03-03T01:03:26","guid":{"rendered":"https:\/\/xs.1ozy.com\/114667\/"},"modified":"2022-03-13T06:35:46","modified_gmt":"2022-03-12T22:35:46","slug":"%e6%a8%a1%e6%8b%9f%e5%90%88%e6%88%90%e5%99%a8togu-audio-line-tal-bassline-101-v3-0-5-win-macosx%ef%bc%8812mb%ef%bc%89","status":"publish","type":"post","link":"https:\/\/xs.1ozy.com\/?p=114667","title":{"rendered":"[\u6a21\u62df\u5408\u6210\u5668]Togu Audio Line TAL-BassLine-101 v3.0.5 [WiN, MacOSX]\uff0812Mb\uff09"},"content":{"rendered":"<p><img decoding=\"async\" class=\"aligncenter\" src=\"https:\/\/dd-static.jd.com\/ddimg\/jfs\/t1\/90513\/31\/22564\/73842\/6217b5c2Ec992b88e\/f8f7a7b653a26eb8.webp\" alt=\"1645088574-20c61f21ec07f65\" width=\"650\" \/>\uffe5TAL-BassLine-101 is a monophonic bass synthesizer and a very accurate emulation of the popular SH 101. The GUI is intuitive and easy to use. It produces the raw sound you know from analogue devices without any effects.<\/p>\n<p>&nbsp;<\/p>\n<p>Its 24dB zero feedback delay low pass filter has a very smooth and authentic sound without any digital artifacts, especially designed and calibrated for extreme settings. It sounds even smooth with a lot resonance and a high oscillator pitch where most emulations fail.<\/p>\n<p>&nbsp;<\/p>\n<p>Details as envelope transitions between overlapping notes are carefully modeled. The oscillators do not use any samples. TAL-BassLine-101 generates all wave-forms in real time. Filter-FM allows it to choose an oscillator waveform as modulation source for the filter cutoff. This additional feature can be used to create a wide range of new sounds.<\/p>\n<p>&nbsp;<\/p>\n<p>\u25ba Features<\/p>\n<p>&nbsp;<\/p>\n<ul>\n<li>Self resonating zero feedback delay filter (24dB LP).<\/li>\n<li>Filter-FM modulation.<\/li>\n<li>Calibrated and tuned after our hardware device.<\/li>\n<li>Midi learn \/ automation for all controls.<\/li>\n<li>Alias free oscillators for an authentic sound also @ 44\u2019100Hz sampling rate.<\/li>\n<li>Arpeggiator with different sync modes (host, midi clock, not on).<\/li>\n<li>Original (RC) and linear portamento mode.<\/li>\n<li>Built in arpeggiator with some additional modes.<\/li>\n<li>Powerful step sequencer with up to 96 steps and recording option.<\/li>\n<li>6 voice poly mode.<\/li>\n<li>Sequencer MIDI export with drag and drop.<\/li>\n<li>Sequencer \/ arpeggiator MIDI out for VSTi version.<\/li>\n<li>De-Clicker mode for slower envelopes :\/<\/li>\n<li>More than 300 presets.<\/li>\n<li>All sample rates supported.<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<p>Some changelog:<\/p>\n<p>&nbsp;<\/p>\n<ul>\n<li>Slow UI loading time fixed (v 3.0.5)<\/li>\n<li>Slow UI fixed (v 3.0.4)<\/li>\n<li>More UI contrast (v 3.0.3)<\/li>\n<li>Crash in poly mode when playing more than 6 voices fixed (v 3.0.3)<\/li>\n<li>More UI contrast (v 3.0.2)<\/li>\n<li>Wrong arp\/seq rate when loading older presets fixed (v 3.0.2)<\/li>\n<li>Reset filter FM controls when changing to older presets where FM didn\u2019t exists (v 2.2.5)<\/li>\n<li>Framework update (v 2.2.4)<\/li>\n<li>Sync modes fixed -&gt; Ext 16 (v 2.2.4)<\/li>\n<li>Seq and Arp can run at the same time when poly mode enabled (v 2.2.2)<\/li>\n<li>Wrong Arp \/ Seq rate when changing sample rate fixed (v 2.2.2)<\/li>\n<li>Sequencer reset fixed (v 2.2.1)<\/li>\n<li>Bug fixes (v 2.2.0)<\/li>\n<li>Optimized for windows high resolution screens (v 2.1.0)<\/li>\n<li>VST3 support added (v 2.1.0)<\/li>\n<li>Automation in ableton live with AU not work fixed (v 2.0.9)<\/li>\n<li>Framework update and bug fixes (v 2.0.8)<\/li>\n<li>Filter FM options not working anymore fixed (v 2.0.7)<\/li>\n<li>Playing note while arp already plays plays unsynced note (v 2.0.5)<\/li>\n<li>Filter envelope loading issue fixed (v 2.0.4)<\/li>\n<li>Possible crash fixed (v 2.0.3)<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>\uffe5TAL-BassLine-101 is a monophonic bass synthesizer and  [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[117,23],"tags":[],"topic":[],"class_list":["post-114667","post","type-post","status-publish","format-standard","hentry","category-bass-house","category-yzcy"],"acf":[],"_links":{"self":[{"href":"https:\/\/xs.1ozy.com\/index.php?rest_route=\/wp\/v2\/posts\/114667","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/xs.1ozy.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/xs.1ozy.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/xs.1ozy.com\/index.php?rest_route=\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/xs.1ozy.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=114667"}],"version-history":[{"count":1,"href":"https:\/\/xs.1ozy.com\/index.php?rest_route=\/wp\/v2\/posts\/114667\/revisions"}],"predecessor-version":[{"id":117674,"href":"https:\/\/xs.1ozy.com\/index.php?rest_route=\/wp\/v2\/posts\/114667\/revisions\/117674"}],"wp:attachment":[{"href":"https:\/\/xs.1ozy.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=114667"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/xs.1ozy.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=114667"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/xs.1ozy.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=114667"},{"taxonomy":"topic","embeddable":true,"href":"https:\/\/xs.1ozy.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftopic&post=114667"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}