{"id":114691,"date":"2022-03-03T09:03:58","date_gmt":"2022-03-03T01:03:58","guid":{"rendered":"https:\/\/xs.1ozy.com\/114691\/"},"modified":"2022-03-13T06:20:27","modified_gmt":"2022-03-12T22:20:27","slug":"%e9%98%85%e8%af%bbthe-sound-of-things-to-come-an-audible-history-of-the-science-fiction-film%ef%bc%882mb%ef%bc%89","status":"publish","type":"post","link":"https:\/\/xs.1ozy.com\/?p=114691","title":{"rendered":"[\u9605\u8bfb]The Sound of Things to Come An Audible History of the Science Fiction Film\uff082Mb\uff09"},"content":{"rendered":"<p><img decoding=\"async\" class=\"aligncenter\" src=\"https:\/\/dd-static.jd.com\/ddimg\/jfs\/t1\/165911\/13\/18626\/31360\/6217b5c0Eea00fecf\/0b0a99e3d6dc9fd5.webp\" alt=\"1645088623-47ebd33f6484344\" width=\"650\" \/>\uffe5A groundbreaking approach to sound in sci-fi films offers new ways of construing both sonic innovation and science fiction cinema<br \/>\nIncluding original readings of classics like The Day the Earth Stood Still, 2001: A Space Odyssey, Star Wars, and Blade Runner, The Sound of Things to Come delivers a comprehensive history of sound in science fiction cinema. Approaching movies as sound objects that combine cinematic apparatus and consciousness, Trace Reddell presents a new theory of sonic innovation in the science fiction film.<\/p>\n<p>&nbsp;<\/p>\n<p>Reddell assembles a staggering array of movies from sixty years of film history\u2014including classics, blockbusters, B-movies, and documentaries from the United States, Britain, France, Germany, Japan, and the Soviet Union\u2014all in service to his powerful conception of sound making as a speculative activity in its own right. Reddell recasts debates about noise and music, while arguing that sound in the science fiction film provides a medium for alien, unknown, and posthuman sound objects that transform what and how we hear.<\/p>\n<p>&nbsp;<\/p>\n<p>Avoiding genre criticism\u2019s tendency to obsess over utopias, The Sound of Things to Come draws on film theory, sound studies, and philosophies of technology to advance conversations about the avant-garde, while also opening up opportunities to examine cinematic sounds beyond the screen.<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>\uffe5A groundbreaking approach to sound in sci-fi films off [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[96,23],"tags":[],"topic":[],"class_list":["post-114691","post","type-post","status-publish","format-standard","hentry","category-ambient-chillout","category-yzcy"],"acf":[],"_links":{"self":[{"href":"https:\/\/xs.1ozy.com\/index.php?rest_route=\/wp\/v2\/posts\/114691","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/xs.1ozy.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/xs.1ozy.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/xs.1ozy.com\/index.php?rest_route=\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/xs.1ozy.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=114691"}],"version-history":[{"count":1,"href":"https:\/\/xs.1ozy.com\/index.php?rest_route=\/wp\/v2\/posts\/114691\/revisions"}],"predecessor-version":[{"id":117650,"href":"https:\/\/xs.1ozy.com\/index.php?rest_route=\/wp\/v2\/posts\/114691\/revisions\/117650"}],"wp:attachment":[{"href":"https:\/\/xs.1ozy.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=114691"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/xs.1ozy.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=114691"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/xs.1ozy.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=114691"},{"taxonomy":"topic","embeddable":true,"href":"https:\/\/xs.1ozy.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftopic&post=114691"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}