{"id":115859,"date":"2022-03-10T19:41:40","date_gmt":"2022-03-10T11:41:40","guid":{"rendered":"https:\/\/xs.1ozy.com\/?p=115859"},"modified":"2022-03-12T19:33:51","modified_gmt":"2022-03-12T11:33:51","slug":"impulse-response%e9%9f%b3%e8%89%b2%e5%ba%93ownhammer-impulse-response-libraries-112-rect-vtp-12a%ef%bc%88409mb%ef%bc%89","status":"publish","type":"post","link":"https:\/\/xs.1ozy.com\/?p=115859","title":{"rendered":"[Impulse Response\u97f3\u8272\u5e93]OwnHammer Impulse Response Libraries 112 RECT VTP-12A\uff08409Mb\uff09"},"content":{"rendered":"

\uffe5The \u201c112 RECT\u201d is based on and seeking to recreate the sound of a MESA\/Boogie\u00ae 1\u00d712 Recto\u00ae cabinet.<\/p>\n

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speaker
\nThe \u201cVTP-12A\u201d is based on and seeking to recreate the sound of a 12 inch, 8-ohm, 75-Hz cone Celestion\u00ae T5901A V-Type speaker made in July of 2013.<\/p>\n

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The Cabinet (112 RECT)
\n\u201cThis cabinet does an excellent job of having a tonality that is both unique and transparent. While most all cabinets impose something on the overall sound, some more than others, what this cabinet does comes off more like an \u201cenhancement\u201d than a \u201csignature\u201d. In this way, it allows the driver to express itself without much at all in the way of forced unwanted overtones, and what it does have in that regard coalesces into something very pleasing \u2013 a clarity in the mids and top, and fullness in the low midrange, especially for a box of this smaller size.\u201d<\/p>\n

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The Speaker (VTP-12A)
\n\u201cWhile most \u2018V-style\u2019 speakers tend to accent the upper mids, this driver\u2019s unique voice more accentuates lower midrange frequencies. This gives off a warmer, fuller, somewhat softer tonality, that lends itself to smaller and open back enclosures, another contrast to \u2018V-style\u2019 speakers. The overall sound is pleasant, smooth, and full, without being dull.\u201d<\/p>\n

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The Combination
\n\u201cThese two pieces merge to result in a sound that is big for being small, and expressive for being thick. If there were non-music related words to describe it, it would be a \u201cchocolate fat-baby little-big box\u201d. This tone can be great for adding fullness to the traditional combo amp sound \u2013 excellent for blues-jazz fusion, for example \u2013 and is utilized this way to great effect in the real world. Surprisingly and probably not commonly thought of, it is also superb for adding tightness to bigger box tones by blending this cab\/speaker in underneath a larger cab\/speaker configuration.\u201d<\/p>\n

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Feature Set<\/p>\n

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16 carefully and strategically placed single mic files
\n7 industry standard microphones:
\n57 \u2013 87 \u2013 121 \u2013 160 \u2013 414 \u2013 421 \u2013 84 (aux)
\n61 meticulously crafted proprietary multi-mic mixes
\n8 voicing variations per mic and mix file
\nindustry leading capture techniques and presentation
\nmajor production\/mastering grade signal chain<\/p>\n

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Wave audio format IR\u2019s (.wav) are compatible with convolution reverb type loaders in recording software and outboard hardware units and are provided in:<\/p>\n

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