![\"1645020944-c3feb6476ab33b3\"](\"https:\/\/dd-static.jd.com\/ddimg\/jfs\/t1\/146183\/38\/23023\/13712\/6217c212E07072705\/7209924259d09740.webp\")
\uffe5 <\/figure> KONTAKT | 24-bit Edition \u2013 25,37 GB<\/strong><\/p> Our flagship grand piano instrument features a beautifully-recorded Yamaha C7 with four microphone perspectives, each offering a unique and lush sound. Pearl is a true joy to play, edited and mixed to perfection and suitable for most any style of composition \u2013 classical pieces, cinematic works, pop, jazz, blues, and more. Pearl makes an excellent addition to any sample collection. If you\u2019re like us, you\u2019ll find yourself reaching for it every time.<\/p> Concept<\/b> A powerful yet unencumbered user interface provides very easy control over all aspects of the sound, such as mic mixing, channel EQ, tuning, and velocity response. By simply adjusting the mic mix alone, you can achieve drastically different timbres.<\/p> We know that as soon as you load Pearl and beginning playing, you will have the same reaction we did when we played this piano for the first time.<\/p> Interface<\/b> With an assortment of presets included, customizing Pearl for your DAW or MIDI controller couldn\u2019t be easier!<\/p> We\u2019ve also included a powerful effects rack for further mixing and processing. In addition to analog-modeled tape saturation, compression, EQ, and transient design, the convolution reverb comes with 31 custom impulse responses. These range from natural spaces like concert and recital halls to studio rooms and shimmering digital bliss.<\/p> The resulting samples are much more \u2018clean\u2019 with less noise buildup, particularly with softer passages using multiple mics and the sustain pedal.<\/p> Content:<\/b> Features:<\/b> <\/p> Working with KONTAKT or KONTAKT PLAYER version 5.5 or higher!<\/p> <\/blockquote> https:\/\/impactsoundworks.com\/product\/pearl-concert-grand<\/p> <\/div>","protected":false},"excerpt":{"rendered":" \uffe5 KONTAKT | 24-bit Edition \u2013 25,37 GB Our flagship gran […]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[34,43,20],"tags":[],"topic":[],"class_list":["post-92192","post","type-post","status-publish","format-standard","hentry","category-kontakt","category-piano-kesy","category-yqyy"],"acf":[],"_links":{"self":[{"href":"https:\/\/xs.1ozy.com\/index.php?rest_route=\/wp\/v2\/posts\/92192","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/xs.1ozy.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/xs.1ozy.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/xs.1ozy.com\/index.php?rest_route=\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/xs.1ozy.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=92192"}],"version-history":[{"count":0,"href":"https:\/\/xs.1ozy.com\/index.php?rest_route=\/wp\/v2\/posts\/92192\/revisions"}],"wp:attachment":[{"href":"https:\/\/xs.1ozy.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=92192"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/xs.1ozy.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=92192"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/xs.1ozy.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=92192"},{"taxonomy":"topic","embeddable":true,"href":"https:\/\/xs.1ozy.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftopic&post=92192"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
When we first played this magnificent grand piano in its concert hall, we fell in love. We decided we simply had to capture it and craft a timeless virtual instrument \u2013 and that\u2019s exactly what we did. The beautiful tone of Pearl, captured through each of the four microphone positions, truly \u2018sings\u2019 with each key press. The default tuning, velocity curve, and mixing settings are all set to inspire your compositions and musical creativity.<\/p>
The interface of Pearl is every bit as elegant and beautiful as the piano itself. On the main page (pictured below), each microphone can be effortlessly mixed, with per-channel EQ, stereo width, compression, and optional routing to different KONTAKT outputs. The settings page offers fine control over \u201cunder-the-hood\u201d controls such as volume envelope, velocity response, tuning (and microtuning), and noise volume.<\/p>
New in Version 2.1<\/b>
In this new update to our beloved virtual C7 piano, we\u2019ve gone back to the master recordings and meticulously re-edited them to further reduce noise and hum.<\/p>
\u2013 Yamaha C7 recorded in a concert hall
\u2013 14,000+ samples provided as 16 and 24-bit
\u2013 Four mic positions: close, pedal, stage, hall
\u2013 8 dynamic (velocity) layers per note
\u2013 2 round robin variations per note
\u2013 All samples recorded pedal-on and off
\u2013 Chromatic key release and pedal noises<\/i><\/p>
\u2013 Elegant and powerful script interface
\u2013 Per-mic FX, offset, and width tweaks
\u2013 Make your own velocity, brightness, volume curves
\u2013 Edit special tweaks for individual notes
\u2013 Microtuning (with alternate classical tunings presets included)
\u2013 Optional \u201cLight\u201d patches saving up to 85% RAM
\u2013 KONTAKT PLAYER compatible<\/i><\/p>
home page<\/h5>