{"id":92206,"date":"2022-03-02T20:40:14","date_gmt":"2022-03-02T12:40:14","guid":{"rendered":"https:\/\/xs.1ozy.com\/92206\/"},"modified":"2022-03-02T20:40:14","modified_gmt":"2022-03-02T12:40:14","slug":"sound-dust-orgone-2-kontakt-decibel","status":"publish","type":"post","link":"https:\/\/xs.1ozy.com\/?p=92206","title":{"rendered":"sound DUST ORGONE 2 KONTAKT-DECiBEL"},"content":{"rendered":"\"1645020962-66b4f73b201e050\"\uffe5 <\/figure>

Team DECiBEL | 22 Apr 2020 | 913.0MB<\/strong><\/p>

Orgone 2 began as an experiment around the thought \u201cwhat would a Hammond organ with sawtooth waves sound like ?\u201d Slowly the idea grew into a huge modular machine that combines multisampled waveforms from several classic synths into a 1GB+ Kontakt sample instrument that goes way beyond the possibilities of any of the originals.<\/p>

So what\u2019s inside?<\/b>
Moog Voyager sawtooth and square waves \u2013 24-bit, 8 second samples of every note.<\/p>

Dsi Pro 2 narrow square waves \u2013 24-bit, 8 second samples of every note.<\/p>

Yamaha CS15 square waves \u2013 24-bit, 8 second samples of every note.<\/p>

Roland SH101 saw tooth + sub waves \u2013 24-bit, 8 second samples of every note.<\/p>

Moog unfiltered noise \u2013 24-bit, 8 second samples of every note.<\/p>

Orgone 2 uses the basic additive architecture of the drawbar organ to create a deeply malleable instrument with huge polyphony and a complex but relatively simple operating system. It then adds the filters, envelopes, LFOs, etc. of subtractive synthesis to each individual drawbar. It\u2019s like having 4 classic 11 oscillator synths in one modular box.<\/p>

Because the quirks and character of the original ageing synths (30 plus years in the case of the CS15) have been retained Orgone 2 has a living organic sound.<\/p>

Features include:<\/b>
\u2013 11 classic synth oscillators.
\u2013 1.2GB of 24-bit multisamples.
\u2013 134 snapshots.
\u2013 Knob randomisation and reset system.
\u2013 Drawbar presets based on Hammond B3.
\u2013 Pitch bend semi-tone amount selector per oscillator.
\u2013 DAW automation control of everything.
\u2013 Saturation control per oscillator.
\u2013 Pan control per oscillator.
\u2013 Reverb send per oscillator.
\u2013 Volume envelope per oscillator.
\u2013 Vibrato LFO with semi-tone depth, speed (sync & hertz), fade and chaos per oscillator.
\u2013 Low pass or formant filter with envelope shape and LFO speed (sync & hertz) and shape modelling per oscillator.
\u2013 Tremolo speed (sync & hertz), depth, LFO width, shape and chaos per oscillator.
\u2013 Chorus depth and speed per oscillator.
\u2013 Tape delay engine per oscillator.
\u2013 Master convolution reverb with 80 custom IRs \u2013 categories: large, medium, device, reverse, tape, spring, pedal & real.
\u2013 Master guitar cabinet modeller, EQ, Leslie, phaser, tone and distortion.
\u2013 Note off tune, volume, decay and reverb send.
\u2013 Velocity amount.
\u2013 Aftertouch tune morphing bend amount.
\u2013 Built in RTFM.<\/p>

 <\/p>

home page<\/h5>

https:\/\/www.sound-dust.com\/orgone2<\/p> <\/div>","protected":false},"excerpt":{"rendered":"

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