![\"1645021611-48a1a28e3d9d525\"](\"https:\/\/dd-static.jd.com\/ddimg\/jfs\/t1\/163053\/27\/27771\/11350\/6217cbe5Ea1494d44\/b5e370d986d56dae.webp\")
\uffe5 <\/figure> KONTAKT \u2013 7,16 GB<\/strong><\/p> Berlin Harpsichords is the latest sample collection in the renowned Berlin Series by Orchestral Tools. Following the addition of new strings, woodwind, brass and percussion samples to the Berlin orchestral series, this collection is now introducing the rich, baroque sounds of two traditional harpsichords \u2013 French and Italian \u2013 opening up new avenues of possibility for users who are eager to broaden their palette of sounds.<\/p> The harpsichord samples have been recorded in different registers, ensuring that users have the flexibility they need to create the sound they are looking for. As with the Berlin series and other Orchestral Tools collections, the instruments were recorded at the Teldex Scoring Stage in Berlin, a distinctively balanced 450 m\u00b2 hall with sublime acoustics and the finest microphones from the last five decades.<\/p> Users can choose from a total of six microphone positions \u2013 Close I, II, Close AB, AB, Tree, Surround \u2013 as well as having a wide range of harpsichord percussive effects at their disposal. With these, together with the sustain and staccato round robins contained in this collection, composers and producers will have the best possible tools for adding authentic harpsichord to their works.\u2013 French Harpsichord <\/p> Kontakt 5.8.1 full version is required to run this collection<\/p> <\/blockquote> orchestraltools.com\/berlin_series\/libraries\/berlin_harpsichords.php<\/p> <\/div>","protected":false},"excerpt":{"rendered":" \uffe5 KONTAKT \u2013 7,16 GB Berlin Harpsichords is the latest s […]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[34,20],"tags":[],"topic":[],"class_list":["post-92683","post","type-post","status-publish","format-standard","hentry","category-kontakt","category-yqyy"],"acf":[],"_links":{"self":[{"href":"https:\/\/xs.1ozy.com\/index.php?rest_route=\/wp\/v2\/posts\/92683","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/xs.1ozy.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/xs.1ozy.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/xs.1ozy.com\/index.php?rest_route=\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/xs.1ozy.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=92683"}],"version-history":[{"count":0,"href":"https:\/\/xs.1ozy.com\/index.php?rest_route=\/wp\/v2\/posts\/92683\/revisions"}],"wp:attachment":[{"href":"https:\/\/xs.1ozy.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=92683"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/xs.1ozy.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=92683"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/xs.1ozy.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=92683"},{"taxonomy":"topic","embeddable":true,"href":"https:\/\/xs.1ozy.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftopic&post=92683"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
\u2013 Italian Harpsichord
\u2013 Both recorded with their full stop complement:
+ French: 8\u2018, 8\u2018, 2\u00d78\u2018 combined, 2\u00d78\u2018+4\u2018 combined, Harp Stop
+ Italian: 8\u2018, 8\u2018, 2\u00d78\u2018 combined
\u2013 Round robins for sustains and staccatos
\u2013 Harpsichords percussive effects
\u2013 Recorded at the Teldex Scoring Stage
\u2013 Full orchestral microphone set up
\u2013 15 GB of samples (7 GB compressed)
\u2013 24Bit \/ 48KHz Patches<\/i><\/p>
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