{"id":93039,"date":"2022-03-02T20:54:15","date_gmt":"2022-03-02T12:54:15","guid":{"rendered":"https:\/\/xs.1ozy.com\/93039\/"},"modified":"2022-03-02T20:54:15","modified_gmt":"2022-03-02T12:54:15","slug":"spitfire-audio-british-drama-toolkit-kontakt","status":"publish","type":"post","link":"https:\/\/xs.1ozy.com\/?p=93039","title":{"rendered":"Spitfire Audio BRITISH DRAMA TOOLKIT KONTAKT"},"content":{"rendered":"<img decoding=\"async\" class=\"aligncenter\" src=\"https:\/\/dd-static.jd.com\/ddimg\/jfs\/t1\/211535\/4\/18317\/14066\/6217d24cEdce175c7\/73ca5cc1728666e2.webp\" alt=\"1645022068-09fb99979eb26f3\" width=\"650\" \/>\uffe5 <\/figure> <p><strong>KONTAKT | 6.31 GB<\/strong><\/p> <p>We can\u2019t write your music for you, but we can help you find your voice. The outstanding British Drama Toolkit provides the most instinctive, immediate and intense connection to the heart of your composition. Created in collaboration with composer Samuel Sim, it features an ensemble dedicated to the emotionally potent sound he is lauded for \u2013 but also presents a unique way of interacting with the players, which sets this instrument apart from anything we have created to date. This is not just a group that plays your music; it helps you compose it.<\/p> <p>British Drama Toolkit comes to life on your first play. We can tell you that it consists of a small string and woodwind section, recorded in our purpose-built dry stage at Spitfire HQ, but only once the library is under your fingers does the telepathy begin. Ensembles are mapped across the full length of the keyboard, and the playing styles are tied to velocity \u2013 from whispered textures through to bold solos. The British Drama Toolkit understands that the difference between playing softly and loudly isn\u2019t just volume \u2013 it is also about character and emotion. The British Drama Toolkit allows you to compose, arrange and complete a cue in one pass. With your eye on the drama rather than the computer, and with one patch capable of a such a huge range of expression, you can respond instinctively to the story rather than get sucked in to what Samuel calls \u201cthe vortex of the computer\u201d.<\/p> <p><b>GUIS<\/b><\/p> <p><i><b>VELOCITY LAYER VIEW<\/b><\/i><br \/>New for the British Drama Toolkit, this view shows the velocity of each note you are playing and which velocity layer that note is in<\/p> <p><i><b>THE OVERVIEW PANEL<\/b><\/i><br \/>This is the main interface for melodic instruments. Its default view displays all available playing techniques, has a simple microphone mixer and includes the main feature controllers.<\/p> <p><i><b>GENERAL CONTROLS PANEL<\/b><\/i><br \/>This view allows further in-depth control of the instrument, showing all available signals and feature controllers, as well as the ability to purge techniques from memory to reduce system usage.<\/p> <p><b>PRESETS \/ TECHNIQUES \/ ARTICULATIONS \/ MICS \/ MIXES<\/b><\/p> <p><b>PATCHES:<\/b><\/p> <p><i><b>Main:<\/b><\/i><\/p> <p>Ensembles<br \/>Violin<br \/>Viola<br \/>Cello<br \/>Double Bass<br \/>Bass Clarinet<br \/>Clarinet<br \/>Flute<br \/>Piccolo<\/p> <p><b>INDIVIDUAL ARTICULATIONS:<\/b><\/p> <p><i><b>MAIN:<\/b><\/i><\/p> <p>Main \u2013 Strings &amp; Woodwinds Soft Alt<br \/>Main \u2013 Texture Strings Loud Woodwinds<br \/>Main \u2013 Texture Strings Soft Woodwinds<br \/>Main \u2013 Texture Woodwinds Loud Strings<br \/>Main \u2013 Texture Woodwinds Soft Strings<br \/>Main \u2013 Tutti Long Loud Strings<br \/>Main \u2013 Tutti Long Loud Woodwinds<br \/>Main \u2013 Tutti Long Soft<\/p> <p><i><b>ENSEMBLES:<\/b><\/i><\/p> <p>Ensembles \u2013 Bass Clari &amp; Clari Long Chatter Loud<br \/>Ensembles \u2013 Bass Clari &amp; Clari Long Chatter Texture<br \/>Ensembles \u2013 Bass Clari &amp; Clari Long Chatter<br \/>Ensembles \u2013 Bass Clarinet &amp; Clarinet Long Soft<br \/>Ensembles \u2013 Bass Clarinet &amp; Clarinet Long<br \/>Ensembles \u2013 Flute &amp; Piccolo Long Alt<br \/>Ensembles \u2013 Flute &amp; Piccolo Long Chiffs<br \/>Ensembles \u2013 Flute &amp; Piccolo Long Soft Alt<br \/>Ensembles \u2013 Flute &amp; Piccolo Long Soft<br \/>Ensembles \u2013 Flute &amp; Piccolo Long<br \/>Ensembles \u2013 String Ensemble Long Soft<br \/>Ensembles \u2013 String Ensemble Long<br \/>Ensembles \u2013 Woodwind Ensemble Long Soft<br \/>Ensembles \u2013 Woodwind Ensemble Long<\/p> <p><i><b>VIOLIN:<\/b><\/i><\/p> <p>Violin \u2013 Long Harmonics<br \/>Violin \u2013 Long Loud<br \/>Violin \u2013 Long Soft<br \/>Violin \u2013 Long<\/p> <p><i><b>VIOLA:<\/b><\/i><\/p> <p>Viola \u2013 Long Harmonics<br \/>Viola \u2013 Long Loud<br \/>Viola \u2013 Long Soft<br \/>Viola \u2013 Long<\/p> <p><i><b>CELLO:<\/b><\/i><\/p> <p>Cello \u2013 Long Harmonics<br \/>Cello \u2013 Long Loud<br \/>Cello \u2013 Long Soft<br \/>Cello \u2013 Long<\/p> <p><i><b>DOUBLE BASS:<\/b><\/i><\/p> <p>Double Bass \u2013 Long Alt<br \/>Double Bass \u2013 Long Harmonics<br \/>Double Bass \u2013 Long Loud<br \/>Double Bass \u2013 Long Soft Alt<br \/>Double Bass \u2013 Long Soft<br \/>Double Bass \u2013 Long<\/p> <p><i><b>BASS CLARINET:<\/b><\/i><\/p> <p>Bass Clarinet \u2013 Long Chatter<br \/>Bass Clarinet \u2013 Long Loud<br \/>Bass Clarinet \u2013 Long Soft<br \/>Bass Clarinet \u2013 Long<\/p> <p><i><b>CLARINET:<\/b><\/i><\/p> <p>Clarinet \u2013 Long Chatter<br \/>Bass Clarinet \u2013 Long Loud<br \/>Clarinet \u2013 Long Soft<br \/>Clarinet \u2013 Long<\/p> <p><i><b>FLUTE:<\/b><\/i><\/p> <p>Flute \u2013 Long Alt<br \/>Flute \u2013 Long Chiffs<br \/>Flute \u2013 Long Loud<br \/>Flute \u2013 Long Soft Alt<br \/>Flute \u2013 Long Soft<br \/>Flute \u2013 Long<\/p> <p><i><b>PICCOLO:<\/b><\/i><\/p> <p>Piccolo \u2013 Long Alt<br \/>Piccolo \u2013 Long Chiffs<br \/>Piccolo \u2013 Long Loud<br \/>Piccolo \u2013 Long Soft Alt<br \/>Piccolo \u2013 Long Soft<br \/>Piccolo \u2013 Long<\/p> <p><i><b>ACCENTED:<\/b><\/i><\/p> <p>Main \u2013 Texture Woodwinds Loud Strings Accented<br \/>Main \u2013 Texture Woodwinds Soft Strings Accented<br \/>Main \u2013 Tutti Long Loud Strings Accented<br \/>Ensembles \u2013 String Ensemble Long Accented<br \/>Violin \u2013 Long Accented<br \/>Viola \u2013 Long Accented<br \/>Cello \u2013 Long Accented<br \/>Double Bass \u2013 Long Accented Alt<br \/>Double Bass \u2013 Long Accented<\/p><!-- \/wp:post-content -->","protected":false},"excerpt":{"rendered":"<p>\uffe5 KONTAKT | 6.31 GB We can\u2019t write your music for you,  [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[34,20],"tags":[],"topic":[],"class_list":["post-93039","post","type-post","status-publish","format-standard","hentry","category-kontakt","category-yqyy"],"acf":[],"_links":{"self":[{"href":"https:\/\/xs.1ozy.com\/index.php?rest_route=\/wp\/v2\/posts\/93039","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/xs.1ozy.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/xs.1ozy.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/xs.1ozy.com\/index.php?rest_route=\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/xs.1ozy.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=93039"}],"version-history":[{"count":0,"href":"https:\/\/xs.1ozy.com\/index.php?rest_route=\/wp\/v2\/posts\/93039\/revisions"}],"wp:attachment":[{"href":"https:\/\/xs.1ozy.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=93039"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/xs.1ozy.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=93039"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/xs.1ozy.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=93039"},{"taxonomy":"topic","embeddable":true,"href":"https:\/\/xs.1ozy.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftopic&post=93039"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}