![\"1645024400-ca5acbb2522bca3\"](\"https:\/\/dd-static.jd.com\/ddimg\/jfs\/t1\/209311\/12\/18191\/45024\/6217f66fEe757eee3\/81efff3010a07682.webp\")
\uffe5DS Audio\u2019s award-winning software synthesiser Thorn has received praise throughout the world for its powerful, spectrally-synthesised sound and innovative design. On this course from certified trainer Rob Jones, you\u2019ll be guided through each part of the instrument, to help fully grasp all of the unique features on offer.<\/p>\n
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After providing an overview of the synth\u2019s architecture, Rob dives into a series of lessons that explore the less conventional aspects, like its harmonic editing and filtering, sampling capabilities and glitch sequencing. He then moves onto the meat of the course, which is a number of step-by-step guides to creating a wide range of patches, helping uncover all the hidden depths of the instrument, whilst providing a wealth of useful sound design techniques along the way!<\/p>\n
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On the course, you\u2019ll learn how complex patches like evolving basses, floaty sequenced pads and arpeggiated leads are constructed, as well as how to utilise advanced synth features such as FM.<\/p>\n
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Signing up to the course entitles you to immediate access to the 2 hours of streamed tutorials, as well as the 5 presets made on the course and a further 5 bonus presets from Producertech\u2019s Thorn Dance Essentials preset pack.<\/p>\n
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Module 1 \u2013 Introduction to Thorn<\/strong>
The course starts with an introduction to the synth, looking first at the overall architecture and any deviations from standard instrument layouts or unique features, then focussing on the header bar at the top, showing the preset section and settings menu.<\/p>\n
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Lesson 1 \u2013 Thorn Overview; 02.34
Lesson 2 \u2013 Preset Handling and Settings Menu; 03.15<\/p>\n
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Module 2 \u2013 Oscillators<\/strong>
A detailed look at the Harmonic Editor, for editing or creating customised waveforms and wavetables, and the oscillator FX, where individual oscillator processing or cross-oscillator modulation can be applied.<\/p>\n
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Lesson 1 \u2013 Harmonic Editor; 05.34
Lesson 2 \u2013 Oscillator FX; 02.18<\/p>\n
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Module 3 \u2013 Sampling<\/strong>
A demonstration of how the Noise section can be used as a sampler, for layering your own audio samples with synthesised sounds; 03.55<\/p>\n
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Module 4 \u2013 Harmonic Filter<\/strong>
Rob explains the various controls and options in the Harmonic Filter section, for manual sculpting of a preset\u2019s spectrum; 03.57<\/p>\n
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Module 5 \u2013 Glitch Sequencer<\/strong>
A guide to Thorn\u2019s glitch sequencer, for application of automated FX sequences; 06.32<\/p>\n
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Module 6 \u2013 Preset 1 \u2013 Glitchy Bass FX Sequence<\/strong>
The first preset on the course is quirky, rhythmic FX one, showing some very useful techniques in its conception, including numerous modulation of oscillator and filter parameters, how to set the filters in series, multistage envelope modulation combined with gated glitch sequencing, and more.<\/p>\n
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Lesson 1 \u2013 Oscillator 1 Filtering and Sequencing; 08.01
Lesson 2 \u2013 Oscillator 2, Subs and Serial Filtering; 08.45
Lesson 3 \u2013 Applying Effects; 12.47<\/p>\n
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Module 7 \u2013 Preset 2 \u2013 Sweeping Filtered Bass<\/strong>
An evolving bass patch is created, using oscillator 1 in wavetable mode and modulating the position and phase dials with an envelope to create the sweeping effect. The bass is then filtered using filters 1 and 2 in parallel mode, as well as the harmonic filter, all of which are modulated with envelopes and LFOs. Finally, the transient is bolstered with a percussion sample before various effects are applied.<\/p>\n
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Lesson 1 \u2013 Oscillator 1 Setup and Modulation; 04.19
Lesson 2 \u2013 Filters Setup and Modulation; 08.46
Lesson 3 \u2013 Adding Perc, Tweaking and Processing the Sound; 04.58<\/p>\n
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Module 8 \u2013 Preset 3 \u2013 Arpeggiated Lead<\/strong>
A rhythmic lead patch is made, beginning by setting up the 3 oscillators as identical but detuned waveforms, each with some LFO modulation, then using the arpeggiator to create a dancing melodic sequence. Noise is added to the transient before a number of different effects are applied.<\/p>\n
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Lesson 1 \u2013 Setting up Oscillators 1-3; 03.44
Lesson 2 \u2013 Adding and Editing the Arp; 07.03
Lesson 3 \u2013 Adding Effects; 03.51<\/p>\n
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Module 9 \u2013 Preset 4 \u2013 FM Bass<\/strong>
Rob shows how to create an FM (Frequency-Modulated) patch, using both oscillators 1 and 2 in FM mode to create distinctive characters in the transient. The filters are then used to process the sound, with filter 2 in parallel providing some upper textures to the patch. Finally, some effects are applied and various parameters adjusted to demonstrate the different timbres on offer.<\/p>\n
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Lesson 1 \u2013 Setting up Oscillators 1-3; 05.03
Lesson 2 \u2013 Parallel Filter Processing; 04.39
Lesson 3 \u2013 Effects and Modifications; 05.30<\/p>\n
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Module 10 \u2013 Preset 5 \u2013 Lush Ambient Glitch Pad<\/strong>
A floating pad sound with rhythmic textures is made by first creating a phasing saw by drawing in the Harmonic Editor and then modulating with an LFO, then pasting this to oscillators 2 and 3, which are transposed and spread in varying amounts. The sound is then shaped with all 3 filters before being processed with effects and the glitch sequencer.<\/p>\n
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Lesson 1 \u2013 Setting up Oscillators 1-3; 10.02
Lesson 2 \u2013 Filtering; 07.17
Lesson 3 \u2013 Effects and Glitch Seq; 05.14<\/p>\n
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