{"id":96129,"date":"2022-03-02T21:32:51","date_gmt":"2022-03-02T13:32:51","guid":{"rendered":"https:\/\/xs.1ozy.com\/96129\/"},"modified":"2022-03-02T21:32:51","modified_gmt":"2022-03-02T13:32:51","slug":"%e5%ae%a4%e5%85%a7%e5%bc%a6%e4%b9%90%e9%9f%b3%e6%ba%90light-and-sound-chamber-strings-2-kontakt%ef%bc%8817-17gb%ef%bc%89","status":"publish","type":"post","link":"https:\/\/xs.1ozy.com\/?p=96129","title":{"rendered":"[\u5ba4\u5167\u5f26\u4e50\u97f3\u6e90]Light and Sound Chamber Strings 2 [KONTAKT]\uff0817.17Gb\uff09"},"content":{"rendered":"

\"1645026465-978905c2a1b4e14\"\uffe5Light and Sound Chamber Strings is a highly detailed and flexible chamber string library (6,5,3,3,1) recorded by expert recording engineer, Debbie Smith, at Windmill Lane, Dublin. A range of exciting and revolutionary techniques for recording longs, as well as freshly conceived scripting concepts allowed the natural dynamic movements of the musicians to be maintained, while remaining playable and intuitive.<\/p>\n

  <\/p>\n

Windmill Lane is a uniquely wonderful scoring stage, used on many orchestral, film and TV projects. Utilising the dryness of the room, Light and Sound libraries feature multiple mic positions with natural air absorption. In line with the Light and Sound philosophy which celebrates maximum flexibility, the sound can be shaped more freely than with samples recorded in a more ambient environment.<\/p>\n

  <\/p>\n

To recreate the natural bleed of a real recording environment, the close mics of all sections were left open and set at their natural panning and levels while recording each instrument section. The \u201cBleeds\u201d mic adds a unique and realistic flavour to mockups and compositions.<\/p>\n

  <\/p>\n

Features<\/strong><\/p>\n

  <\/p>\n

For harnessing ultimate control over the timbre of all Light and Sound instruments, the \u201cSplit Slider\u201d is a groundbreaking new feature which intelligently morphs the crossfading between dynamic layers in real time. Combined with a range of other features found in Light and Sound instruments, you truly have completely control over your compositions.<\/p>\n

  <\/p>\n

\u2013 Recorded in situ
\u2013 Recorded at Studio 1, Windmill Lane by Debbie Smith
\u2013 True Legato samples
\u2013 7 mic positions (Decca, Sides, Rears, XY, Close Ribbon, Bleeds, Close Leader)
\u2013 Longs recorded with natural dynamic movement
\u2013 Included Room Tone patch
\u2013 Over 30,000 samples
\u2013 Edited from over 300GB of source material
\u2013 Recorded at 96KHz 24bit and delivered at 48KHz 24bit ncw<\/i><\/p>\n

  <\/p>\n

Patch List:<\/strong><\/p>\n

  <\/p>\n

Leg. Longs
Leg. Dyn Longs
Leg. Tremolo
Longs
Dyn Longs
Tremolo
Shorts
Pizzicato
Col Legno
FX
Doubles<\/i><\/p>\n

  <\/p>\n

Violin 2<\/strong>
Leg. Longs
Leg. Dyn Longs
Leg. Tremolo
Longs
Dyn Longs
Tremolo
Shorts
Pizzicato
Col Legno
FX
Doubles<\/i><\/p>\n

  <\/p>\n

Viola<\/strong>
Leg. Longs
Leg. Dyn Longs
Leg. Tremolo
Longs
Dyn Longs
Tremolo
Shorts
Pizzicato
Col Legno
Doubles<\/i><\/p>\n

  <\/p>\n

Celli<\/strong>
Leg. Longs
Leg. Dyn Longs
Leg. Tremolo
Longs
Dyn Longs
Tremolo
Shorts
Pizzicato
Col Legno
Doubles<\/i><\/p>\n

  <\/p>\n

Bass<\/strong>
Leg. Longs
Leg. Dyn Longs
Leg. Tremolo
Longs
Dyn Longs
Tremolo
Shorts
Pizzicato
Col Legno
Doubles<\/i><\/p>\n

  <\/p>\n

Ensemble<\/strong>
Leg. Longs
Leg. Dyn Longs
Leg. Tremolo
Longs
Dyn Longs
Tremolo
Shorts
Pizzicato
Col Legno
Doubles<\/i><\/p>\n

  <\/p>\n

System Requirements:<\/strong><\/p>\n

  <\/p>\n

\u2013 17.2GB Disk space required (35GB required during installation)
\u2013 Minimum 4GB RAM (8GB Recommended)
\u2013 Intel\u00ae i5 2.2GHz+ or equivalent<\/i><\/p>\n

  <\/p>\n

Full version of Kontakt 5.6.8+ is required<\/p>\n

  <\/p>\n

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