{"id":98126,"date":"2022-03-02T21:58:15","date_gmt":"2022-03-02T13:58:15","guid":{"rendered":"https:\/\/xs.1ozy.com\/98126\/"},"modified":"2022-03-02T21:58:15","modified_gmt":"2022-03-02T13:58:15","slug":"%e7%94%b5%e5%bd%b1%e6%b0%9b%e5%9b%b4%e9%85%8d%e4%b9%90pad%e9%9f%b3%e6%ba%90wide-blue-sound-orbit-v1-3-0-kontakt%ef%bc%88830mb%ef%bc%89","status":"publish","type":"post","link":"https:\/\/xs.1ozy.com\/?p=98126","title":{"rendered":"[\u7535\u5f71\u6c1b\u56f4\u914d\u4e50PAD\u97f3\u6e90]Wide Blue Sound Orbit v1.3.0 [KONTAKT]\uff08830Mb\uff09"},"content":{"rendered":"

\"1645029592-b179dbe68daf2ba\"\uffe5ORBIT is being lauded by producers and composers worldwide for its bold, no-nonsense approach to musical synth design. ORBIT\u2019s acclaimed interface brings to your fingertips a universe of cinematic, production-ready sound in the form of pulses and distinctive musical pads & atmospheres. Its revolutionary sound-morphing engine creates sounds that infinitely evolve, while retaining the musicality that drives modern cinematic music. ORBIT\u2019s sounds range from light and shimmering to dark, mysterious and edgy. Don\u2019t miss the synth that Harry Gregson-Williams (The Chronicles of Narnia, Kingdom of Heaven, Shrek) calls \u201cdistinctive and inspirational\u201d and Jack Wall (Mass Effect, Call of Duty) proclaims as \u201cgorgeous and meaningful\u201d.<\/p>\n

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In this release, ORBIT becomes a Kontakt Player library, gains compatibility with external remotes, and boasts significant new features and workflow enhancements \u2013 enabling users to create new, unique sounds faster than ever before.<\/p>\n

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Synthesis Engine<\/strong><\/p>\n

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The core engine behind Orbit consists of four discrete synth channels that constantly cycle (or \u201corbit\u201d if you prefer) at a user-determined tempo. Each channel contains its own cleanly looped sample, selected from the factory bank of 101 sounds, which are categorized as either Dark, Dreamy, Mysterious, or Aggressive. From there, the sounds are processed via five straightforward parameters: volume, panning, tuning (in semitone increments), filter cutoff frequency, and resonance. As for the filtering parameters, there\u2019s also an option to choose a different filter type for each channel: lowpass, bandpass, highpass, and notch. Each of the channels can be switched off, creating a \u201crest\u201d in the four-step cycle, and the sounds can be quickly reordered via swap arrows at the top of the channels.<\/p>\n

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At first glance, this would appear to be a simple four-step sequencer\u2014and in a way, that\u2019s true\u2014but things get more interesting as you manipulate the orbit \u201cmode\u201d tools at the bottom of the screen. Instead of a simple sequence, the system actually selects from three different cross-fade modes. For rhythmic, dance-oriented textures, there are sawtooth and square options that impart a more percussive or chopped character. For sweeping, ethereal soundscapes, the sine wave mode smoothly transitions between each of the channels. In addition to the mode and tempo of the cycling, there are attack and release controls that affect the overall amp envelope. All in all, this is a really clever way to approach morphing and rhythmic textures in a manner that\u2019s reminiscent of digital wave synthesizers such as the Korg Wavestation or Sequential Prophet VS. In fact, it\u2019s almost impossible to get a \u201cbad\u201d sound with an approach that\u2019s so blissfully straightforward.<\/p>\n

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Effects<\/strong><\/p>\n

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I was having a blast with the synth engine alone, before I increased the size of Kontakt\u2019s interface and discovered that Orbit also includes integrated effects and additional step sequencers. The selection of processing tools is pretty standard, with two different distortion effects, a chorus\/flanger\/phaser, delay, reverb, and a final lowpass filter that\u2019s applied at the end of the chain. These all perform as expected, sounding solid as part of any given preset. It\u2019s also worth mentioning that the reverb includes a bunch of really nice convolution options that sound extremely good in the context of the synth\u2019s features. The only caveat is that you can\u2019t change the order of the effects. Fortunately, Orbit\u2019s hardwired series is intelligently organized for all but the most exotic applications.<\/p>\n

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Step Sequencers<\/strong><\/p>\n

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Adding to Orbit\u2019s morphing capabilities are four independent step sequencers, with up to 16 steps each. You can also change the note value for each sequencer, with longer durations available for subtle, evolving patches. Each sequence can be assigned to a single parameter, with an emphasis on the synth\u2019s global functions like Orbit mode, rate and depth, as well as quite a few of the effects parameters. In addition, each of the sequencers includes a wide array of step processing options, allowing for inversions, randomization, alternating between odd and even, and shifting the entire sequence left or right. What\u2019s more, all four sequences are visible simultaneously (a huge plus) so you can create extremely complex rhythms quickly, thanks to the ability to see each pattern in relationship to the others.<\/p>\n

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Conclusions<\/strong><\/p>\n

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Considering Orbit\u2019s design pedigree, I was expecting a lot from the outset, and it\u2019s a testament to Jeff Rona and Nathan Rightnour\u2019s vast experience that this soft synth lived up to its hype. The first night I installed it, I was lost for hours experimenting with its possibilities, and pretty much everything I tried sounded very polished and professional. For dance music producers, Orbit is capable of some truly impressive rhythmic tricks. For soundtrack composers, it\u2019s a veritable secret weapon for massive sonic soundscapes. If either of those types of music is your specialty, download the demo and get your credit card ready.<\/p>\n

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Snap Judgment<\/strong><\/p>\n

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PROS Intuitive and approachable interface, regardless of your synthesis experience. Great array of source samples. Four step sequencers can be applied to a wide range of parameters. Integrated effects.<\/p>\n

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CONS Effects<\/strong> and modulation tools are easy to miss, unless your Kontakt player window is sized correctly. Effects series is hardwired.<\/p>\n

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Bottom Line<\/strong><\/p>\n

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A deep source of inspiration and song starters for both dance-oriented rhythmic and soundtrack-oriented atmospheric needs.<\/p>\n

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ORBIT 1.3<\/strong><\/i><\/p>\n

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