{"id":98227,"date":"2022-03-02T21:59:46","date_gmt":"2022-03-02T13:59:46","guid":{"rendered":"https:\/\/xs.1ozy.com\/98227\/"},"modified":"2022-03-02T21:59:46","modified_gmt":"2022-03-02T13:59:46","slug":"%e6%97%b6%e9%97%b4%e7%ae%a1%e5%bc%a6%e4%b9%90%e4%b9%90%e5%9b%a2%e9%9f%b3%e6%ba%90orchestral-tools-time-macro-kontakt%ef%bc%8842-28gb%ef%bc%89","status":"publish","type":"post","link":"https:\/\/xs.1ozy.com\/?p=98227","title":{"rendered":"[\u65f6\u95f4\u7ba1\u5f26\u4e50\u4e50\u56e2\u97f3\u6e90]Orchestral Tools TIME macro [KONTAKT]\uff0842.28Gb\uff09"},"content":{"rendered":"<p><img decoding=\"async\" class=\"aligncenter\" src=\"https:\/\/dd-static.jd.com\/ddimg\/jfs\/t1\/219368\/1\/13133\/21422\/6218941dEe4255450\/aec50bd9e2d8346d.webp\" alt=\"1645029728-784b614ed1ee0e1\" width=\"650\" \/>\uffe5CHRONO SYMPHONIC STRUCTURES<\/strong><br \/>To augment the available palette of sounds with another dimension, Orchestral Tools introduces TIME macro, captured at the Teldex Scoring Stage with the same setup used for the Berlin Series and Metropolis Ark Series.<\/p>\n<p> &nbsp; <\/p>\n<p>TIME macro is the essence of many concepts and ideas about music in a temporal context. It led us to this extensive collection of inspiring orchestral and choral textures, advanced articulations and dynamic gestures related to the paradigm of time. All recordings are unprocessed, captured with a multi-microphone setup in a perfectly balanced scoring stage.<\/p>\n<p> &nbsp; <\/p>\n<p>TIME macro provides inspiring and never before recorded colors that want to be combined and layered. We recorded ten different ensembles:<\/p>\n<p> &nbsp; <\/p>\n<p><i>\u2013 High Strings<br \/>\u2013 Mid Strings<br \/>\u2013 Low Strings<br \/>\u2013 High Woodwinds<br \/>\u2013 Low Woodwinds<br \/>\u2013 Double Reeds<br \/>\u2013 Brass<br \/>\u2013 Harps &amp; Vibes<br \/>\u2013 Women Choir<br \/>\u2013 Men Choir<\/i><\/p>\n<p> &nbsp; <\/p>\n<p>ALTERED TIME<\/strong><br \/>In the \u201cAltered Time\u201c section, we play with the definition of time. Time can not only go forward with constant speed. Playing back articulations backwards or playing them back slower is the concept defining the \u201eAltered Time\u201c instruments.<\/p>\n<p> &nbsp; <\/p>\n<p>TIME ORCHESTRA<\/strong><br \/>Within the \u201cOrchestra\u201c section, we offer combined and production ready patches like Full Orchestra, Brass &amp; Strings, Choir &amp; Strings, Woodwinds &amp; Strings. All articulations in these sections are an absolutely valuable source of inspiration when they develop over the course of time.<\/p>\n<p> &nbsp; <\/p>\n<p>With TIME macro a very special concept came to life It all beginns with the paradigm of time, its implications and source of inspiration, moving on to the selection of instruments, designing and placing them creatively on the scoring stage, all the way to inspiring articulations and textures delivered individually and combined.<br \/>TIME macro is the perfect tool for underscoring, sound design and all those moments, where you need those special sounds standard orchestral samples are not designed to create.<\/p>\n<p> &nbsp; <\/p>\n<p>HIGHLIGHTS<\/strong><br \/>TIME macro is separated into three types of articulations:<\/strong><\/p>\n<p> &nbsp; <\/p>\n<p><i>\u2013 Long sustained textures that have a sense of subtle forward movement<br \/>\u2013 Pendulum Swells \u2013 the movement of a pendulum transformed into dynamic swells<br \/>\u2013 Rhythmic patterns, which are reminiscent of clockworks<\/i><\/p>\n<p> &nbsp; <\/p>\n<p><i>\u2013 10 Individual Sections<br \/>\u2013 Strings<br \/>\u2013 Woodwinds<br \/>\u2013 Brass<br \/>\u2013 Choir<br \/>\u2013 Harps &amp; Vibes<br \/>\u2013 85 GB of samples (42 GB NCW compressed)<br \/>\u2013 24Bit \/ 48KHz Patches<\/i><\/p>\n<p> &nbsp; <\/p>\n<p>KONTAKT 5 FULL version 5.8.1 and above is required<\/p>\n<p> &nbsp; <\/p>\n<p><span style=\"\"color:#008000;\"\"\n<\/p>\n","protected":false},"excerpt":{"rendered":"<p>\uffe5CHRONO SYMPHONIC STRUCTURESTo augment the available pa [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[34,101,121,20],"tags":[],"topic":[],"class_list":["post-98227","post","type-post","status-publish","format-standard","hentry","category-kontakt","category---kontakt","category-orchestral-kontakt","category-yqyy"],"acf":[],"_links":{"self":[{"href":"https:\/\/xs.1ozy.com\/index.php?rest_route=\/wp\/v2\/posts\/98227","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/xs.1ozy.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/xs.1ozy.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/xs.1ozy.com\/index.php?rest_route=\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/xs.1ozy.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=98227"}],"version-history":[{"count":0,"href":"https:\/\/xs.1ozy.com\/index.php?rest_route=\/wp\/v2\/posts\/98227\/revisions"}],"wp:attachment":[{"href":"https:\/\/xs.1ozy.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=98227"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/xs.1ozy.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=98227"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/xs.1ozy.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=98227"},{"taxonomy":"topic","embeddable":true,"href":"https:\/\/xs.1ozy.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftopic&post=98227"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}