{"id":99992,"date":"2022-03-02T22:24:10","date_gmt":"2022-03-02T14:24:10","guid":{"rendered":"https:\/\/xs.1ozy.com\/99992\/"},"modified":"2022-03-02T22:24:10","modified_gmt":"2022-03-02T14:24:10","slug":"%e9%98%85%e8%af%bbcompositional-artifice-in-the-music-of-henry-purcell%ef%bc%8824mb%ef%bc%89","status":"publish","type":"post","link":"https:\/\/xs.1ozy.com\/?p=99992","title":{"rendered":"[\u9605\u8bfb]Compositional Artifice in the Music of Henry Purcell\uff0824Mb\uff09"},"content":{"rendered":"<p><img decoding=\"async\" class=\"aligncenter\" src=\"https:\/\/dd-static.jd.com\/ddimg\/jfs\/t1\/98790\/7\/23037\/32908\/62194800Ec40296f4\/b1ad59378f77d196.webp\" alt=\"1645032686-94b3a63d377068f\" width=\"650\" \/>\uffe5Fugal invention has proved a successful line of analytical inquiry in recent studies of repertoires from Josquin to J. S. Bach. Alan Howard brings similar insights to the music of Henry Purcell, and proposes the first analytical approach to his music to examine compositional methods alongside historically contemporary theory, focusing particularly on Purcell\u2019s \u2018artificial\u2019 approach to imitative counterpoint. Through this methodology Howard challenges previous responses to Purcell\u2019s music that portrayed him as fundamentally conservative. This study offers fresh insights into the musical world in which Purcell lived and worked and situates Purcell\u2019s compositional concerns in the broader context of notions of artifice in Restoration culture. Howard thereby offers both a fresh analytical approach \u2013 to Purcell\u2019s early instrumental works and to his later concerted vocal music \u2013 and a critique of the reception history surrounding the fantazias and sonatas in particular.<\/p>\n<p> &nbsp; <\/p>\n<p><span style=\"\"color:#FF8C00;\"\"\n<\/p>\n","protected":false},"excerpt":{"rendered":"<p>\uffe5Fugal invention has proved a successful line of analyt [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[72,59,23],"tags":[],"topic":[],"class_list":["post-99992","post","type-post","status-publish","format-standard","hentry","category-latin","category-vocals","category-yzcy"],"acf":[],"_links":{"self":[{"href":"https:\/\/xs.1ozy.com\/index.php?rest_route=\/wp\/v2\/posts\/99992","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/xs.1ozy.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/xs.1ozy.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/xs.1ozy.com\/index.php?rest_route=\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/xs.1ozy.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=99992"}],"version-history":[{"count":0,"href":"https:\/\/xs.1ozy.com\/index.php?rest_route=\/wp\/v2\/posts\/99992\/revisions"}],"wp:attachment":[{"href":"https:\/\/xs.1ozy.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=99992"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/xs.1ozy.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=99992"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/xs.1ozy.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=99992"},{"taxonomy":"topic","embeddable":true,"href":"https:\/\/xs.1ozy.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftopic&post=99992"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}